VISUAL
ARTS COMMITTEE
Wednesday, March 20, 2002
3:00 p.m.
25 Van Ness Avenue, Suite 70
Notices
Explanatory documents are available for public inspection and
copying at the Arts Commission office, 25 Van Ness Ave, Ste 240,
San Francisco CA 94102 during regular business hours. Tel:
415-252-2594.
Minutes
Commissioners Present
Ralph Guggenheim, Barbara Stauffacher Solomon, Dede Wilsey;
Absent: Stanlee Gatti, Dugald Stermer.
Staff Present
Nina Dunbar, Jessica Goodson, Rupert Jenkins, Anna Kvinsland,
Debra Lehane, Natasha Garcia-Lomas, Tonia Macneil, Jill Manton,
Judy Moran, Susan Pontious, Rommel Taylor, Kristen Zaremba.
Note: All votes are unanimous unless recorded
otherwise.
The meeting commenced at 3:18 p.m.
- Consent
1. Motion to approve six original poster designs for 24
posters by artist J.R.R. Blevins for exhibition in 24 kiosks on
Market Street from May 17 to August 15, 2002, for the Market
Street Art in Transit Kiosk Poster Program 2002.
2. Motion to approve an Artist Selection Panel pool for the
Library Bond Art Enrichment Program, to include Enrique Chagoya,
Ann Chamberlain, Saudy Sanchez, JoeSam, Leah Levy, Ana Novakov,
and Beau Takajara, to select an artist pool for six new and
renovated library branches.
3. Motion to approve the 2002 Bayview Hunters Point Youth Art
Mural Project coordinated by Heidi Hardin and Betsy Miller
Kusz.
4. Motion to authorize the placement of funds from the following
PUC art enrichment projects on reserve for future use at PUC sites
mutually approved by the Arts Commission and PUC: Lane Street Pump
Station, Crocker Amazon Pump Station, Potrero Heights Chlorine
Station Project, Baden Pump Station, Hetch Hetchy Water Treatment
Project, Harry Tracy Water Treatment Plant Residuals Thickening,
Calaveras Potassium Permanganate Facility.
5. Motion to approve the design concept of the art project at
India Basin Shoreline Park by lead artists Moriah Ulinskas and
Santiago Giraldo-Tobon, funded by the Goldman Fund, with
recommended changes by curatorial staff, and pending approval by
Recreation and Park Department.
6. Motion to approve the mural design by Jason Gilmore at 4527
Mission Street, funded by Neighborhood Beautification and
Rebuilding Together.
7. Motion to approve the mural design by Mel Simmons at 1205
Mendell Street, funded by Neighborhood Beautification and
Rebuilding Together.
8. Motion to approve the mural design by Peter Collins at 555
Thompkins Avenue, funded by Neighborhood Beautification and
Rebuilding Together.
9. Motion to approve tree grate designs by Jenne Giles and
Peaceful Streets for the Church Street Transit Center at 1 Church
Street, funded by the Metropolitan Transportation Commission and
Bridge Housing.
10. Motion to allow the DeYoung Museum to remove and store and/or
display three statues/monuments, Lion, Sundial, and The Pool of
Enchantment, from Golden Gate Park during construction of their
new building with the condition that all works will be
re-installed in the Park and that all sites are to be approved by
the Arts Commission.
11. Motion to approve the loan of three works by Lucien Labaudt
titled Radio, 1934, Spirit and Reality, 1934, and The Accordian
Player, 1935 to the exhibition On-Ramps: Transitional Moments in
California Art, June 1-September 1, 2002 at the Pasadena Museum of
California Art.
Motion: Motion to move the consent
calendar item.
Moved: Wilsey/Stauffacher Solomon
- Collections
Civic Art Collection Program Director Debra Lehane reported
that the replacement of the Spider Pelt sculpture by Dustin Shuler
has been installed at Moscone Center parking garage. The repair of
Ray Beldner's Playland sculpture should be complete within
approximately three weeks. And finally, Ms. Lehane reported that
renovation of the Garfield monument in Golden Gate Park should
begin soon.
Ms. Lehane said that community member and project coordinator John
Caulder, landscape architect Allan Caulder, and artist Dan
Macchiarini were here today to give a presentation of a proposed
gift to the City of a statue of Emperor Norton designed by the
late Peter Macchiarini. Ms. Lehane said that John Caulder had
called her some time ago to find out about the process of giving a
gift to the city. And since that time, through a process of
community meetings and neighborhood events, Mr. Caulder has
garnered much support for this project. Ms. Lehane reminded the
commissioners that today they were only seeking approval of the
design concept. Ms. Lehane introduced John Caulder, the project
coordinator.
Mr. Caulder began his report by explaining that Peter Macchiarini,
the artist who created the design of the statue of Emperor Norton,
passed away on July 7, 2001. After Mr. Macchiarini's death, Mr
Caulder, his brother Allan, and Mr. Macchiarini's son Daniel, all
got together and decided that they wanted to do something in
tribute of Mr. Macchiarini. They felt that by creating Mr.
Macchiarini's statue of Emperor Norton, they would be
memorializing him as well as paying tribute to an icon of San
Francisco's past, Emperor Norton. Mr. Caulder explained that
Emperor Norton was known as the "Grandfather of eccentricity and
openness" and that he was an icon for tolerance. Mr. Caulder
introduced Daniel Macchiarini. Mr. Macchiarini said that since the
age of nine, he had worked with his father in his shop. Peter
Macchiarini originally designed the sculpture of Emperor Norton in
the 1930s. In so doing, he accepted a somewhat political stance,
since at that time, there was a general lack of tolerance. Peter
Macchiarini chose to do a sculpture of Emperor Norton because of
what the man stood for. The sculpture will be of Renaissance
proportions--12 feet tall with a 4 foot base. The bronze will be 8
feet tall. The Emperor's two dogs, Lazarus and Bummer will flank
him on either side. One sculpture was a collaboration between
father and son, the other sculpture was created recently by Dan
Macchiarini. The grouping will sit atop the Peter Macchiarini
steps in the North Beach neighborhood at the junction of Kearny
and Vallejo.
Allan Caulder, landscape architect and brother of John, reviewed
the plan view of the memorial with the Commissioners. He explained
that the site where the statue would be installed is a flat area
with a bulb out into the street. Decorative cut stone and paving
would be added to the landing surface, and concrete, brick, and
stone would be used at the site as well. The memorial will also
include native plants, seating and a watering site for four legged
friends. Mr. Caulder said that he lived in San Francisco from 1989
- 1999 and during that time he worked as a professional landscape
architect and was involved with such organizations as SLUG and SF
Beautiful.
John Caulder then showed photos of the community meetings and
events from the website that he has created for the Emperor Norton
project. He explained that after design approval, the next step
would be to fundraise for private contributions. He plans to fund
raise in the style of Emperor Norton and print Emperor Norton
money (something that Emperor Norton actually did). Individuals
could purchase the currency for face value then redeem it with
local merchants who would be participating in the fundraiser. The
merchants would be able to receive a tax deduction. The project
organizers also plan to cast a limited edition of small model
statues for sale. Mr. Caulder mentioned that he, his brother, and
Daniel Macchiarini were all volunteering their time to this
project. Commissioner Wilsey asked how much they thought this
project would cost. John Caulder estimated that the memorial would
cost between $4-500,000.
Commissioner Guggenheim asked what kind of materials would be used
in this project and if they were durable. Mr. Macchiarini answered
that the sculpture would be cast out of bronze with a stone base.
Ms. Lehane added that bronze was a very durable material, and
while she wasn't sure what kind of stone would be used, that there
were several protective coatings that could be added to stone to
improve durability. Ms. Lehane also said that an endowment would
be created for ongoing maintenance and that low maintenance plants
would be used.
Commissioner Guggenheim then asked for public comment. Sherry
O'Donnell, a neighborhood member for the past 20 years, said that
she looks forward to something whimsical and wonderful at that
site. Gerry Crowley, President of the Telegraph Hill Dwellers,
said that her association unanimously voted to support a memorial
to Emperor Norton. Bob Planthold, a member of E. Clampus Vitus,
said that Emperor Norton is an icon for his group. Mr. Planthold
approves of this project because he feels that the process has
been inclusive of all community members, whether they be disabled,
dog walkers, elderly, or whatever. He said that he helped
investigate hidden impacts that would be of concern to the
project, such as hidden underground pipes, by reviewing maps of
the site at the Department of Public Works.
Commisioner Guggenheim said that the project design looks great,
but that he would like to see the philosophies and ideas of
Emperor Norton somehow expressed. John Caulder answered that he
planned to create a "Life and Times of Emperor Norton" bilingual
coloring book as a companion piece to the sculpture, and possibly
even incorporate some rubbing plates of the coloring book pages
into the site for school children to use. Commissioner Wilsey
added that she liked how they're including Emperor Norton's dogs
into the design, and John Caulder responded how Emperor Norton's
dogs were an important aspect of his persona.
Motion: Motion to approve the design
concept for the Emperor Norton Memorial for Telegraph Hill on
Kearny Street at the top of the Macchiarini steps.
Moved: Wilsey/Stauffacher
Solomon
- PUC Art Enrichment
Public Art Program Director Jill Manton began by giving some
background information regarding this agenda item. Ms. Manton said
that a few years back, PUC staff contacted her about their
interest in restoring the murals at the Sunol Water Temple. Ms.
Manton referred them to Ms. Lehane, and Ms. Lehane suggested that
they speak with Ann Rosenthal, a professional conservator whom the
Arts Commission had worked with in the past. At that point in
time, the Arts Commission had not received any information about
upcoming PUC projects that would generate art enrichment funds,
and there never was a formal agreement that the Arts Commission
would pay for the restoration of the murals. Lena Chen, the PUC
project manager, went ahead with the restoration of the murals,
not knowing the full cost until project completion. As a measure
of good will, Ms. Manton agreed to apply $11,000 in PUC art
enrichment funds from the Castlewood Pump Station towards the cost
of restoring the murals. The final cost to restore the murals was
$131,975, much higher than the PUC had expected. In December 2001,
Ms. Manton had learned that Ms. Chen had, without the Arts
Commission's permission, intended to apply the full cost of
restoring the murals to the Arts Commission's pool of reserved PUC
art enrichment funds. Because there was never a formal agreement
between the Arts Commission and the PUC, and because she was never
consulted about the costs of restoring the murals, Ms. Manton
recommends that the Arts Commission honor the $11,000 already
pledged to the project, as well as 2% of the final cost of the
overall temple restoration for a total of $41,000. Ms. Manton said
that Wendy Iwata, a representative from PUC staff, and Lena Chen,
former project manager, were here today to present their side of
the situation.
Ms. Iwata began by saying that the PUC had gotten off to a rocky
start with the Arts Commission. She said that until just recently,
it has been difficult to tell how much the PUC would owe the Arts
Commission for art enrichment. The total of CIP projects was
always increasing, and only recently the PUC finalized a total
figure of $4.5 billion. $550,000 in art enrichment money has
already been transferred to the Arts Commission, even without a
MOU. Once the final CIP figure is approved, the PUC will work
together with the Arts Commission to establish a master plan for
the use of the pooled funds. Ms. Iwata admitted that the PUC
should have approached the Arts Commission for approval to restore
the Sunol Temple murals, and that there should have been a formal
agreement from the start, but now that the restoration is
complete, they believe that because the murals are artwork, that
the Arts Commission should pay the full cost. Ms. Iwata said that
Ms. Chen was available for questions. No one had any additional
questions for Ms. Chen.
In response to a request from Commissioner Guggenheim to repeat
the figures, Ms. Manton replied that the total cost of the mural
restoration was $131,975 and the total amount transferred from the
PUC to the Arts Commission to date is $550,000. She added that the
PUC never informed the Arts Commission that the money had been
transferred, and only after Public Art Program Assistant Anna
Kvinsland had worked with PUC accounting, was she able to confirm
the receipt of the funds. Ms. Manton confirmed that contributing
$41,000 toward the mural restoration would be the first draw
against the $550,000 in PUC art enrichment funds.
There was no further discussion of this item.
Explanatory Document: Memo: PUC Art
Enrichment Funds for Sunol Temple
Motion: Motion to approve a total of
$41,000 to be contributed towards Sunol mural restoration cost
($11,000 from Castlewood Pump Station and $30,000 from Sunol
Temple Restoration Cost).
Moved: Stauffacher
Solomon/Wilsey
- Gallery
Gallery Manager Natasha Garcia-Lomas began the Gallery Report
by showing slides of the work of artists who will be involved in
the Grove Street Windows installations from May through October
2002. Ms. Garcia-Lomas explained that Lo-Profile, a collaboration
by artists Laure Cuvillier and Eefje Theeuws, have proposed to
feature life-size two-dimensional figures created out of plastic
and Ziplock bags. To make their installation interactive and
semi-performative, the artists will ask passer-bys to donate an
item of clothing to the installation. Artist Kim Turos has
proposed to create an installation of contrasting ecosystems by
creating large-scale pieces referencing plants, flowers, and
pollen. She will create jungle scenes in the windows with a
combination of live plants and sculptural pieces created from
discarded road material. The lighting will change from day to
night. Marina Vendrell has proposed creating a childlike
installation featuring stuffed animal wall sculptures created out
of recycled fur coats.
Gallery Director Rupert Jenkins added to the Gallery Report by
explaining that the San Francisco Foundation, sponsor of the 2002
Murphy and Cadogan Award show, has invited Rev. Timothy Taylor,
artist and assistant curator at San Francisco International
Airport, Stephanie Syjuco, an artist who currently has a show at
the Haines Gallery, and Clara Kim, curator at SFMOMA, to juror the
show. Last year there were 18 artists involved in this show, and
this year, they are expecting fewer participants.
Mr. Jenkins concluded the Gallery Report by explaining that the
last motion on the gallery section of the agenda today is asking
that the Commissioners approve the proposed jurors for the 2002
Construct installation award show, and consequently, their
selection of artwork. By approving this motion, the artists will
have three months instead of two to do their work. The proposed
jurors are Julie Deamer, a curator based in Los Angeles, and Paul
Kos, a San Francisco artist and educator.
The following motion was removed.
Motion: Motion to approve the Grove Street Windows
exhibition for May 26 - July 7, 2002 called (22:2) which features
twenty-two two minute videos by Sergio Brown + Nortec, DJ
Boweevill, Geoff Chadsey, Anthony Dicenza, Felipe Dulzaides, 53
esu-san, Paul Flores, ST Guerrero, Daniel Gorrell, The Hit Device,
David Huffman, Ruben Lorch-Miller, Chris Oliveria, Eaun Macdonald,
Anne McGuire, Pepito, Gina O, Eamon Orallon, Tucker Shwartz,
Stephanie Syjuco, Jessica Tully, and JP Villegas.
The following motion was modified.
Motion: Motion to approve the Grove Street Windows
installation by Lo-Profile, Laure Cuvillier, and Eefje Theeuws for
May 26 - July 7, 2002
Moved: Stauffacher
Solomon/Wilsey
The following motion was modified.
Motion: Motion to approve the Grove Street Windows
installation by Kim Turos for July 14 - August 25, 2002.
Moved: Stauffacher
Solomon/Wilsey
Motion: Motion to approve the
following jurors for the 2002 Murphy and Cadogan Award show,
sponsored by the SF Foundation. (Note: approval of jurors would
also approve their choices of award recipients for exhibition at
the SFAC Gallery July-August 2002.):
Rev. Timothy Taylor - artist, curator
Stephanie Syjuco - artist
Clara Kim - curator
Moved: Wilsey/Stauffacher
Solomon
The following motion was modified.
Motion: Motion to approve the following jurors for the
2002 Construct installation award show. (Note: approval of jurors
would also approve their choices of award recipients for
exhibition at the SFAC Gallery October - November 2002):
Julie Deamer - curator
Paul Kos - artist, educator
Moved: Stauffacher
Solomon/Wilsey
- 525 Golden Gate Avenue New City Office Building
Ms. Manton said that Paul Kos was here today to present his
second conceptual design proposal for the new city office building
at 525 Golden Gate Avenue. She reminded the Commissioners that the
theme of Mr. Kos' first proposal was a canary in a coal mine.
Mr. Kos said that the design his was proposing today was still
hypothetical due to the fact that the architects have not yet
addressed the lobby. Mr. Kos has designed his proposal for the
Redwood Alley and Polk Street side of the building. He hopes that
through his idea of making his design as "green" as possible, that
this entrance will become the cornerstone of the building. Mr. Kos
proposes to use reflective green slate on the floors of the lobby,
and on the lobby walls, he proposes to use a combination of
different colored stone and ceramic materials to form words,
possibly quotes by poets William Carlos Williams or Frederico
Garcia Lorca. His intention is that the wording on the walls be
discreet and possibly not noticed by the passer-by the first time
around. Also part of Mr. Kos's proposal is green tinted windows
with sandblasted or laminated words in large cursive letters that
would be seen reflected on the floors when the sun hits the south
facade at a certain angle. Mr. Kos showed the Commissioners an
example of the green slate that he would use on the walls. He said
that his wish is that the word walls would not have doorways,
because that would only break up the art. Because the architects
still have not fully designed this section of the building, it is
still not known if this is even possible.
Commissioner Guggenheim said that he noticed in Mr. Kos' design
that the slate floor was cut into squares. Mr. Kos said that he
hoped to get 3 foot by 3 foot square sections of green slate for
the floors, although he was still uncertain of the availability of
this material and its cost. Ms. Manton added that the architects
are concerned about the uneven quality of the slate floors because
of ADA restrictions and also because the lobby may feature a
café, and the scraping of chairs may put undue stress on
the slate floor.
And finally, Mr. Kos said that he would like to incorporate ferns
into his proposal to add a bit of nature, and soften the geometry
of the design. Commissioner Stauffacher Solomon said that she
liked this proposal very much, but didn't think that the ferns
were necessary. All of the Commissioners agreed that the design
proposal presented by Mr. Kos today, was much better than the
first.
Ms. Manton said that because all of the Commissioners present
today were at the special joint Civic Design and Visual Arts
Commission meeting held last week, and heard about Ned Kahn's new
project proposal at that time, that she would skip a recap in the
absence of time.
Motion: Motion to approve the
conceptual design by Paul Kos for the lobby of 525 Golden
Gate.
Moved: Wilsey/Stauffacher
Solomon
Motion: Motion to approve Ned Kahn's
new project proposal for 525 Golden Gate.
Moved: Stauffacher
Solomon/Wilsey
- Moscone Center Expansion Project
Ms. Manton explained that because Mitsubishi repeatedly
responded in an untimely manner with information that was
frequently inaccurate, artist Ric Scofidio contacted another LED
vendor in Sacramento called Multimedia, Inc.. To ensure that no
time was lost in the design process, Ms. Manton asked the project
engineer to attempt to finish design with Mitsubishi, while
simultaneously meeting with Multimedia. If Mitsubishi did not work
out, there would be another viable option. Immediately after his
meeting with Multimedia, the project engineer called Ms. Manton to
say how impressed he was with this company. He and Mr. Scofidio
requested that the Arts Commission terminate their relationship
with Mitsubishi right away. With Ms. Manton's approval, Mr.
Scofidio wrote a letter to Mitsubishi to end the agreement. Upon
consulting with the City Attorney, Ms. Manton discovered that city
governments may back out of contracts without penalty if it is in
the best interest of the public. Ms. Manton said that business
wise, going with Multimedia makes more sense because unlike
Mitsubishi, all of the parts for the Multimedia system come from
one company, which is good from a liability standpoint. Also,
Multimedia's price is $200,000 less than Mitsubishi and Multimedia
is a local company. She mentioned that Multimedia has two other
LED installations in the same block as the Moscone Center at Yerba
Buena Center for the Arts and the Sony Metreon.
Ms. Manton said that a large entourage including artist, engineer,
AV consultant, electrical engineer, and Moscone representative
would be visiting the Multimedia facilities in Rancho Cordova next
week.
Explanatory Document: Project
Documents re: Mitsubishi and Multimedia, Inc.
Motion: Motion to authorize the
change of LED manufacturer from Mitsubishi to Multimedia Inc.
Moved: Stauffacher
Solomon/Wilsey
The following motion was modified.
Motion: Motion to authorize the Director of
Cultural Affairs to enter into contract with Multimedia Inc. for
an amount not to exceed $700,000.
Moved: Stauffacher
Solomon/Wilsey
- Zoo
Project Manager Susan Pontious announced that David Anderson,
Zoo Director, has approved the purchase of two sculptures by
artist Gwyn Murrill for the Zoo, and has deferred the final
artwork selection to the Arts Commission. The Zoo art committee
had narrowed the selection of available artwork down to five
possible choices. Ms. Pontious showed slides of these sculptures
and a sketch of the site and the proposed location of the artwork.
The Commissioners chose Tiger 2 (seated tiger) and Cougar III (a
crouching cougar).
Next, Ms. Pontious gave a brief update on the design change of a
seat wall terminus to the north pathway in "Split Mound" by Jud
Fine and Barbara McCarren. A discrepancy was discovered between
the grade of the northern "Split Mound" pathway and where it meets
Zoo Street. Ms. Pontious reported that she and Steve Winkel, the
project architect, met with Susan Ferrarya, the DPW ADA
coordinator, to discuss several options for resolving the problem
while still meeting ADA requirements. Ms. Ferrarya would not allow
either increasing the slope of the grade nor the addition of
steps, because either solution would not provide equal access. To
solve the problem, it was decided that a seat wall would be added
with a raised grade and additional planting to discourage an
implied path to the street.
The following motion was modified.
Motion: Motion to approve the design change for a
seat wall terminus to the north pathway in "Split Mound" by Jud
Fine and Barbara McCarren.
Moved: Stauffacher
Solomon/Wilsey
The following motion was modified.
Motion: Motion to approve the purchase of "Tiger 2"
at $85,000 and "Cougar III" at $65,000 by Gwyn Murrill for the
Zoo.
Moved: Stauffacher
Solomon/Wilsey
- Laguna Honda Hospital Project
Ms. Pontious reported that the Link Building will now be the
new main entrance of the renovated Laguna Honda Hospital facility.
This section of the building will be fabricated entirely out of
glass. The architects want a major artwork to go in this section,
and Ms. Pontious feels that she can take $100,000 previously
reserved for the pool, and use it for this purpose. She reminded
the Commissioners that specially designed handrails by Cliff
Garten are already going in this section. She said that there are
three options for selecting an artist for the new $100,000
commission. First, she could select an artist from the
pre-qualified pool from the original competition. Second, she
could ask Cliff Garten to design the new section. Third, she could
re-advertise. She explained how the third option was the least
appealing option because of the time it would take to go through
the full competition process again. Ms. Pontious said that the
second option was most appealing to her because she has realized
what a strong esthetic Mr. Garten has, and because he has worked
so well with the designers and architects. Commissioner
Stauffacher Solomon said that she thought that having Mr. Garten
design the additional artwork for the link section would be good
for consistency. Ms. Manton added that timing is definitely a
concern for this project, but that equity may also be an
issue.
Ms. Pontious said that if Mr. Garten chooses not to accept the
additional commission, he could be involved in the selection of
another artist. She felt that selecting an artist who would
complement his strong sensibility may in fact be a challenging
task.
Commissioner Wilsey left the meeting at this point.
Ms. Pontious concluded her report by saying that Hospital
Administrators are extremely pleased with Mr. Garten's handrail
design. Mr. Garten is flying to San Francisco on April 8th to meet
with Susan Mizner from the Mayor's Office of Disability to hear
her concerns regarding his design. The handrail materials also
must be approved by OSHPD (the state agency that regulates
hospitals).
The following motion was not voted on
because of lack of quorum:
Motion: Motion to approve the method of selecting
an artist to develop a design for the glass curtain wall on the
link building at Laguna Honda Hospital with a working budget of
$100,000.
- Ocean View Recreation Center
Project Manager Tonia Macneil reported that the City is
building a new recreation center in the OMI district near City
College at Ocean View Park, on a southern facing terrace above a
sloping site. The Minnie and Lovie Ward Recreation Center will be
located between Capitol and Pilgrim, at Montana. Approximately
$68,000 will be available for art enrichment. Ms Macneil said that
the project would come before Civic Design in April 2002, and that
an open competition to select artists would be complete by August
2002.
Explanatory Document: Ocean View
District Memo
- New Business
Ms. Manton reported that Liz Diller has had to postpone her
presentation of the Audio Visual content for the LED screen until
the final decision on the LED equipment has been made. As it is
now, Ms. Diller is planning on coming to San Francisco the last
week in May. Ms. Manton asked the Commissioners if they would be
available for a special Visual Arts Committee (VAC) meeting that
week so that Ms. Diller could present her proposal. Commissioner
Guggenheim suggested that the regular Visual Arts Committee
meeting be moved to May 29th to accommodate Ms. Diller's schedule.
Ms. Lehane mentioned that pushing the regular meeting to such a
late date may conflict with getting VAC consent items included on
the Full Arts Commission Agenda for June. Ms. Manton said that she
would talk with Ms. Diller to see if her schedule could be a
little more flexible. May 22nd was discussed as an alternate
date.
- Old Business
- Adjournment
As there was no further business, the meeting was adjourned at
5:15 p.m.
Submitted by Anna Kvinsland, Public Art Program Assistant
Approved by Richard Newirth, Director of Cultural Affairs,
3/26/02
3/26/02