MEETING OF THE FULL ARTS COMMISSION
Monday, April 4, 2016
2:00 p.m.
City Hall Room 416
1 Dr. Carlton B. Goodlett Place

Minutes

Commission President JD Beltran called the meeting to order at 2:04 p.m.

1. Roll Call
    
   Commissioners Present
   JD Beltran, President
   Roberto Ordeñana, Vice President
   Gregory Chew
   Sherene Melania
   Abby Sadin Schnair
   Marcus Shelby
   Janine Shiota
   ​Jessica Silverman
   Barbara Sklar
   Kimberlee Stryker
   Paul Woolford
    
   Commissioners Absent
   Charles Collins
   Simon Frankel
   Dorka Keehn
   Cass Calder Smith
   Kathrin Moore, ex officio
    
2. Approval of Minutes
   There was no public comment, and the minutes were unanimously approved as follows.
    
   RESOLUTION NO. 0404-16-090: Motion to approve March 7, 2016 Minutes.
    
3. General Public Comment
   There was no public comment.
    
4. Director’s Report
   Commissioner Woolford entered the room at 2:06 p.m.
    
   Mr. DeCaigny introduced the recently appointed Deputy City Attorney Lauren Curry, whose portfolio includes the Arts Commission. He briefly discussed her education and background. Ms. Curry said she was pleased to be working with the Arts Commission. The Commission welcomed her, and President Beltran added that Ms. Curry came highly recommended by the Commission’s former Deputy City Attorney, Adine Varah.
    
   Mr. DeCaigny introduced Deputy Director Rebekah Krell to present a high-level update on the agency’s strategic plan. She discussed the goals set out in the plan and progress made on those goals, as well as next steps. Mr. DeCaigny commented on some of the report’s highlights, including federal funding to help address displacement and housing. He pointed out that the Art on Market Street poster series by Robert Minervini capitalized on the asset of the Civic Art Collection; President Beltran added that she was proud to say Mr. Minervini had been her student.
    
   The Commission discussed the report in some detail. They suggested considering a publication on the San Francisco General Hospital and Laguna Honda art collections, as well as on the process of commissioning the artworks as a model for the role of public art in a healing context. Commissioners also discussed the idea of “silos” in the internal organization of the agency as addressed in the planning meetings. Mr. DeCaigny reported on all-staff training recently completed, as well as upcoming training on cultural diversity, and on three recently established cross-program working groups focused on cultural equity, communications and individual artists.
    
   Mr. DeCaigny then presented the report he and Brian Cheu of the Mayor’s Office of Housing and Community Development (“MOHCD”) had recently given to the Board of Supervisors’ Budget and Finance Committee. He reminded the Commission that the Board had allocated $4.515 million to address the displacement of nonprofit organizations from San Francisco: $2 million for arts organizations and $2.515 million for social service organizations, to be administered by the Arts Commission and MOHCD. The two departments are collaborating and the funds are being distributed by the Northern California Community Loan Fund (“NCCLF”) under the direction of the Arts Commission and MOHCD. Mr. DeCaigny discussed how the funds have been disbursed to date, giving examples of organizations that have benefited from both technical assistance and direct financial assistance. He praised the outstanding real estate consultants working with NCCLF to advise the nonprofits. He also discussed modifications made to the program in response to what has been learned along the way. He explained that all applicants are eligible for technical assistance, while there is a panel review process for financial assistance, and that there will be a third and final call for applications in the fall. He also discussed the smaller seed grants recently initiated.
    
   The Commission asked about the impact of the legacy business legislation recently passed; Mr. DeCaigny offered to research this question and report back to the Commission. He also discussed the Community Arts Stabilization Trust (“CAST”), now a potential model for the social service sector. He also reported on research conducted by Harder + Company on nonprofit space throughout the Bay area. Finally, he discussed next steps.
    
   The Commission asked for a full list of grantees, which Mr. DeCaigny promised to provide. The Commission applauded CAST, NCCLF, the Mayor’s office and the Board of Supervisors, as well as Arts Commission and MOHCD staff for tackling this issue. The Commission discussed additional potential resources for both artists’ housing and nonprofit spaces, including both public and private opportunities. They also discussed the role of the City Planning process in providing for arts and culture, including the designation of Production, Distribution and Repair (“PDR”) zones.
    
   Mr. DeCaigny then turned to ArtCare, thanking them for a successful fundraising event on March 29, which honored acclaimed novelist Armistead Maupin as the recipient of the Mayor’s Art Award, and noted philanthropist, developer and art collector Steven Oliver with the ArtCare Lifetime Achievement Award. Mr. DeCaigny added that the Gay Men’s Chorus had given a great performance, and Mr. Maupin’s speech was both very moving and colorful. Mr. DeCaigny reminded everyone of the free public event on April 5 at the Herbst Theatre, featuring a conversation between Mr. Maupin and playwright and novelist Jewelle Gomez (also a former Cultural Equity Grants Program Director at the Arts Commission, and former Library Commission President). Mr. DeCaigny noted that a “friends” organization was discussed in the strategic plan, and he thanked Commissioners Keehn and Shiota, as well as ArtCare President Meg Spriggs, for their work in bringing it into being, as well as for their work on the event.
    
   Mr. DeCaigny showed a brief video trailer on Intrude, the temporary installation of large-scale inflatable rabbit sculptures by Amanda Parer. He invited everyone to the morning dedication, and the evening reception at the Civic Center on April 6, and he thanked City partners including the Recreation and Parks Department and the Office of Economic and Workforce Development. He also commended Public Art Trust and Special Projects Director Jill Manton and Program Associates Aleta Lee and Alex Tan for their work on the project and the video trailer.
    
   There was no public comment.
    
5. Committee Reports and Committee Matters
   1. Executive Committee—JD Beltran, Chair
      1. President Beltran reported that the Committee approved a temporary Living Innovation Zone project, and additional funding from the Public Art Trust for maintenance and security for the Intrude project. The Committee also discussed formation of a working group to address artist housing needs.
          
         There was no public comment.
          
   2. Civic Design Review Committee—Cass Calder Smith, Chair
      1. In the absence of Commissioner Smith, Commissioner Stryker reported that the Committee reviewed several projects that were at Phase 3, as well as Eagle Plaza, an innovative project incorporating some of the public right-of-way, with a very good landscape architect on the design team.
          
         There was no public comment.
          
   3. Visual Arts Committee—Dorka Keehn, Chair
      1. In the absence of Commissioner Keehn, Commissioner Silverman reported that the Committee reviewed Sites Unseen mural designs for the Moscone parking structure, an artwork by Amanda Hughen and Jennifer Starkweather for the Central Subway Union Square station, animated videos for the Peephole Cinema installation at the San Francisco Airport, and a project by Bill Fontana for the North Beach library.
          
         The Commission briefly discussed the Moscone project.
          
         There was no public comment.
          
6. Consent Calendar
   President Beltran called for a vote on the Consent Calendar. There was no public comment, and the Consent Calendar was approved unanimously as follows.
    
   RESOLUTION NO. 0404-16-091:
   Approval: RESOLVED, that this Commission does hereby adopt the following items on the Consent Calendar and their related Resolutions:
    
   Approval of Committee Minutes
   1. RESOLUTION NO. 0404-16-092: Motion to approve the Community Arts, Education and Grants Committee Meeting Minutes of February 24, 2016.
       
   2. RESOLUTION NO. 0404-16-093: Motion to approve the Visual Arts Committee Meeting Minutes of March 16, 2016.
       
      Visual Arts Committee Recommendations (March 16, 2016)
       
   3. RESOLUTION NO. 0404-16-094: Motion to approve as installed Everywhere All at Once (2012-14), a series of six photograms by Vanessa Marsh at San Francisco International Airport, Terminal 3, Gate 71B.
       
   4. RESOLUTION NO. 0404-16-095: Motion to approve the following arts professionals as panelists for public art selection panels for the 2016-17 Fiscal Year: Jetro Martinez, artist; Darryl Smith, Co-Founder/Director/Curator, Luggage Store Gallery.
       
   5. RESOLUTION NO. 0404-16-096: Motion to approve and accept into the Civic Art Collection, the following 224 artworks. Imagery for each original artwork was licensed and reproduced as a digital print on aluminum plate for General Hospital Acute Care Building, Two-Dimensional Artwork Program.
      Limantour, 2015, 27-1/8 in. by 37-1/4 in., by Nora Akino;
      Monterey Pines, 2015, 26-1/8 in. by 37-1/4 in., by Nora Akino;
      Wild Mustard II, 2015, 27 in. by 37-1/8 in., by Nora Akino;
      Drakes Bay at Point Reyes #178, 2015, 25-1/4 in. by 37-1/4 in., by Lennell Allen;
      Ocean Beach at Noriega #114, 2015, 25-1/4 in. by 37-1/4 in., by Lennell Allen;
      Ocean Beach at Noriega #167, 2015, 25-1/4 in. by 37-1/4 in., by Lennell Allen;
      Ocean Beach at Noriega #274, 2015, 25-1/8 in. by 37-1/4 in., by Lennell Allen;
      Golden Gate Bridge in Fog at Sunrise, from Marin Viewpoint, 2015, 37 in. by 25 in., by Rob Badger;
      Heart Lake, John Muir Wilderness Area, Inyo National Forest, CA, 2015, 25-1/4 in. by 37-1/4 in., by Rob Badger;
      Poppies and Gilia, Antelope Valley California Poppy Reserve, CA, 2015, 37-1/4 in. by 37-1/4 in., by Rob Badger;
      San Francisco Beyond the Blue Hills of Marin, View from Mt. Tamalpais, 2015, 20-1/4 in. by 37-1/4 in., by Rob Badger;
      Sycamores in Fall Foliage and New Grass, San Luis Obispo County, CA, 2015, 37-1/4 in. by 37-1/4 in., by Rob Badger;
      Wildflowers and Grass, North Table Mountain Ecological Reserve, Butte County, CA, 2015, 37-1/4 in. by 37-1/4 in., by Rob Badger;
      Flurry, 2015, 37-1/4 in. 28 in., by Jennifer Bain;
      Grasshopper, 2015, 28 in. by 37-1/4 in., by Jennifer Bain;
      Pretty Bird, 2015, 37-1/8 in. by 28-1/4 in., by Jennifer Bain;
      Shrinking Habitat, 2015, 24-1/8 in. by 37-1/4 in., by Jennifer Bain;
      Single Source, 2015, 27-1/2 in. by 36-5/8 in., by Jennifer Bain;
      Big Machine, 2015, 31-1/4 in. by 37-1/4 in., by John Bankston;
      Baker Beach, 2015, 37-1/8 in. by 30 in., by Tom Baril;
      Blue Conversation, 2015, 31-1/4 in. by 37-1/4 in., by Suzy Barnard;
      Blue Position, 2015, 31-1/4 in. by 37-1/4 in., by Suzy Barnard;
      July Jade, 2015, 30-7/8 in. by 37-1/8 in., by Suzy Barnard;
      Still Overcast, 2015, 31 in. by 37-1/4 in., by Suzy Barnard;
      Twilight State, 2015, 36-7/8 in. by 37-1/8 in., by Suzy Barnard;
      Mayday, 2015, 36-1/2 in. by 30-1/2 in., by Louisiana Bendolph;
      Shared Legacy, 2015, 30-5/8 in. by 36-5/8 in., by Louisiana Bendolph;
      Lining Up III, 2015, 37-1/4 in. by 30 in., by Leo Bersamina;
      Drakes Bay Vista, 2015, 22-1/2 in. by 36-1/2 in., by Mark McAfee Brown;
      Half Dome, 2015, 24-5/8 in. by 36-5/8 in., by Mark McAfee Brown;
      Mt. Shasta and Forest, 2015, 27-5/8 in. by 36-5/8 in., by Mark McAfee Brown;
      Mt. Shasta Western Landscape, 2015, 15-5/8 in. by 36-5/8 in., by Mark McAfee Brown;
      In Between, 2015, 18-1/2 in. by 36-5/8 in., by Vicky M. Chen;
      Roadside View, 2015, 36-1/2 in. by 36-5/8 in., by Vicky M. Chen;
      Large Snowy Forest, 2015, 37-1/4 in. by 37-1/4 in., by James Chronister;
      Momento, 2015, 28-1/2 in. by 36-5/8 in., by Patricia Claro;
      Connection 1, 2015, 25-1/4 in. by 37-1/4 in., by Elaine Coombs;
      Distill 10, 2015, 25-1/4 in. by 37-1/4 in., by Elaine Coombs;
      Distill 11, 2015, 25-1/4 in. by 37-1/4 in., by Elaine Coombs;
      Distill 13, 2015, 25-1/4 in. by 37-1/4 in., by Elaine Coombs;
      Lively 1, 2015, 25-1/4 in. by 36-1/4 in., by Elaine Coombs;
      BZCT, 2015, 28-1/4 in. by 37-1/4 in., by Béatrice Coron;
      Vertical Farming, 2015, 37-1/4 in. by 37-1/4 in., by Béatrice Coron;
      23 Cranes, 2015, 21-5/8 in. by 36-5/8 in., by Counterpoint Studio, LLC;
      Bridalveil Fall, Yosemite, CA, May 15, 2012, 2015, 28-1/2 in. by 36-5/8 in., by Binh Danh;
      Cathedral Rocks and Cathedral Spires, June 11, 2012, 2015, 28-5/8 in. by 36-5/8 in., by Binh Danh;
      Lower Yosemite Fall October 13, 2011, 3:45pm, 2015, 36-1/2 in. by 28-1/2 in., by Binh Danh;
      Castro Slice #4, 2015, 36-1/4 in. by 9-1/4 in., by Eileen David;
      Castro Slice #5, 2015, 36-1/4 in. by 7-3/8 in., by Eileen David;
      Columbus and Francisco, 2015, 36-1/2 in. by 36-5/8 in. by Eileen David;
      Noe Valley Morning, 2015, 28-1/8 in. by 36-1/4 in., by Eileen David;
      Russian Hill #2, 2015, 36-3/8 in. by 36-5/8 in., by Eileen David;
      Cape Arago, Southern Oregon Coast, 2015, 28-1/8 in. by 36-1/4 in., by Michael Eade;
      Inlet, 2015, 18-1/4 in. by 36-1/4 in., by Michael Eade;
      Mount Tabor, 2015, 36-1/4 in. by 34-1/4 in., by Michael Eade;
      Vista, 2015, 18-1/4 in. by 36-1/4 in., by Michael Eade;
      A Crab in Scrabble, 2015, 36-5/8 in. by 27-5/8 in., by Evah Fan;
      House-O-Rama, 2015, 26-5/8 in. by 36-5/8 in., by Evah Fan;
      Job Seekers, 2015, 36-5/8 in. by 28-5/8 in., by Evah Fan;
      Pet Grass, 2015, 36-5/8 in. by 28-5/8 in., by Evah Fan;
      Ticks Attack Toes, 2015, 36-5/8 in. by 27 5/8 in., by Evah Fan;
      Botany Bear, 2015, 36-1/4 in. by 29-1/4 in., by Annie Galvin;
      Cloud Bears, 2015, 37-1/8 in. by 29-1/4 in., by Annie Galvin;
      Transform, 2015, 37-1/4 in. by 37-1/4 in., by Annie Galvin;
      Radiolarian—Mace, 2015, 37-1/4 in. by 26-1/4 in., by Cliff Garten;
      Radiolarian—Twist 3, 2015, 27-1/4 in. by 37-1/4 in., by Cliff Garten;
      Suspect Figure 2, 2015, 37-1/4 in. by 27-1/4 in., by Cliff Garten;
      Baile en 1958 (Dance in 1958), 2015, 27-5/8 in. by 36-5/8 in., by Carmen Lomas Garza;
      Cakewalk, 2015, 36-5/8 in. by 36-5/8 in., by Carmen Lomas Garza;
      Cumpleaños de Lala y Tudi (Lala and Tudi's Birthday Party), 2015, 27-1/2 in. by 36-1/2 in., by Carmen Lomas Garza;
      Empanadas (Turnovers), 2015, 25-1/2 in. by 36-1/2 in., by Carmen Lomas Garza;
      La Feria en Reynosa (The Fair in Reynosa), 2015, 26-1/2 in. by 36-1/2 in., by Carmen Lomas Garza;
      Tamalada (Making Tamales), 2015, 27-5/8 in. by 36-5/8 in., by Carmen Lomas Garza;
      After the Gold Rush, 2015, 28-1/8 in. by 37-1/4 in., by Linda Gass;
      Fields of Salt, 2015, 37-1/4 in. by 37- 1/4 in., by Linda Gass;
      Sanitary, 2015, 37-1/4 in. by 37-1/4 in., by Linda Gass;
      Hummingbird Nest, 2015, 37-1/4 in. by 27-1/4 in., by Sheila Ghidini;
      Nest with Turquoise Ribbon, 2015, 32-3/4 in. by 37 in., by Sheila Ghidini;
      Robin's Nest 5, 2015, 32-1/4 in. by 37-1/8 in., by Sheila Ghidini;
      Late Afternoon, 2015, 28-1/2 in. by 36-1/2 in., by Stanley Goldstein;
      Rodeo Beach, 2015, 26-1/4 in. by 36-1/4 in., by Stanley Goldstein;
      Rodeo Beach—Fog, 2015, 26-1/2 in. by 36-1/2 in.; by Stanley Goldstein;
      Spring in China Camp, 2015, 28-3/8 in. by 36-1/2 in., by Stanley Goldstein;
      One Part of Something to Another, 2015, 25-1/4 in by 36-1/4 in., by Rachel Granofsky;
      Tenuous Divide, 2015, 25-1/4 in. by 37-1/4 in., by Rachel Granofsky;
      Mountain Stream, 2015, 36-5/8 in. by 36-5/8 in., by Isca Greenfield-Sanders;
      Tommy and the Ball, 2015, 29-1/4 in. by 37-1/4 in., by Isca Greenfield-Sanders;
      Group, 2015, 30-1/2 in. by 36-5/8 in., by Michael Hall;
      Dragon Gate, 2015, 36-5/8 in. by 28-5/8 in., by Ophelia Ho;
      Herbal Shop, 2015, 36-5/8 in. by 27-5/8 in. by Ophelia Ho;
      Lantern Shop, 2015, 34 in. by 36-1/8 in., by Ophelia Ho;
      Snowing, 2015, 36-5/8 in. by 32 1/2 x 1 7/8 in., by Ophelia Ho;
      Tea with Friend, 2015, 36-1/4 in. by 26-1/4 in., by Ophelia Ho;
      Fog, 2015, 48 in. by 72 in., by Ian Huebert;
      To Market, 2015, 48 in. by 72 in., by Ian Huebert;
      Bolinas Seaweeds, 2015, 21-3/8 in. by 37-1/4 in., by Josie Iselin;
      Botryocladia pseudodichotoma (Sea Grapes), 2015, 37-1/4 in. by 37-1/4 in., by Josie Iselin;
      Halosaccion glandiforme (Sea Sacs), 2015, 37-3/8 in. by 37-1/2 in., by Josie Iselin;
      Bee, Magnolia, Bowl, 2015, 36-1/4 in. by 22-1/4 in., by Diane Jacobs;
      Chicken & Egg, 2015, 28-1/8 in. by 36-1/4 in., by Diane Jacobs;
      Farmland, 2015, 20-5/8 in. by 36-5/8 in., by Diane Jacobs;
      Anise, 2015, 36-5/8 in. by 36-5/8 in., by Ivy Jacobsen;
      Bending Towards Light, 2015, 36-5/8 in. by 36-5/8 in., by Ivy Jacobsen;
      Forest Mist, 2015, 20-5/8 in. by 36-5/8 in., by Ivy Jacobsen;
      Night Flyer, 2015, 36-5/8 in. by 30-5/8 in., by Ivy Jacobsen;
      Protea, 2015, 24-5/8 in. by 36-5/8 in., by Ivy Jacobsen;
      Smoke Bush, 2015, 36-5/8 in. by 36-1/2 in., by Ivy Jacobsen;
      Solstice, 2015, 36-5/8 in. by 36-5/8 in., by Ivy Jacobsen;
      Summer Light, 2015, 30-5/8 in. by 36-5/8 in., by Ivy Jacobsen;
      PERCEPTIONS (PERCEPTIONS #8), 2015, 37-1/4 in. by 37-1/4 in., by Chris Johanson;
      Bayview Boys and Wagon—2, 2015, 36-5/8 in. by 36-5/8 in., by David Johnson;
      Bayview Girls Hopscotch—6, 2015, 27-1/2 in. by 36-1/4 in., by David Johnson;
      Bayview Girls Playing Hopscotch—1, 2015, 29-5/8 in. by 36-1/2 in., by David Johnson;
      Clarence, 2015, 37-1/2 in. by 22-5/8 in., by David Johnson;
      Church Window, 2015, 37-1/4 in. by 27 in., by Todd Lanam;
      Park School Rail, 2015, 37-1/8 in. by 29 in., by Todd Lanam;
      Schoolyard Mural, 2015, 28 in. by 37-1/4 in., by Todd Lanam;
      22 Fillmore, 2015, 36-1/2 in. by 36-5/8 in., by Beryl Landau;
      Last Light, 2015, 36-1/2 in. by 36-1/2 in., by Beryl Landau;
      Memorial Pond, 2015, 36-1/2 in. by 36-1/2 in., by Beryl Landau;
      Pink Light, 2015, 36-1/2 in. by 36-5/8 in., by Beryl Landau;
      Primary Colors, 2015, 36-3/8 in. by 36-5/8 in., by Beryl Landau;
      San Francisco Skyline from San Bruno Mountain, 2015, 36-1/2 in. by 36-5/8 in., by Beryl Landau;
      The Real Thing, 2015, 36-3/8 in. by 36-1/2 in., by Beryl Landau;
      True to Form, 2010, 36-1/2 in. by 36-5/8 in., by Beryl Landau;
      Walking Along, 2012, 36-3/4 in. by 36-3/4 in., by Beryl Landau;
      Dragging Cows up a Tree, 2015, 37-1/4 in. by 28 in., by Bovey Lee;
      Riverbank #18/2, 2015, 28-1/8 in. by 37-1/4 in., by Katja Leibenath;
      At the Cove, 2015, 23-1/8 in. by 37-1/4 in., by Lisa Levine;
      Swim #3: Song of the Sirens, 2015, 25-1/4 in. by 37-1/4 in., by Lisa Levine;
      Swim #5: The Adoration of the Waters, 2015, 25-1/4 in. by 37-1/4 in., by Lisa Levine;
      Happy and Gay: Kite, 2015, 37-1/4 in. by 29-1/8 in., by Hung Liu;
      New Old World Symphony: Blue Foot, 2015, 37-1/4 in. by 31-1/4 in., by Hung Liu;
      New Old World Symphony: Tender Foot, 2015, 36-3/4 by 30-5/8 in., by Hung Liu;
      Above Cambria: Evening, 2015, 37-1/4 in. by 25-1/4 in., by Peter Loftus;
      Towards Morro: Evening, 2015, 37-1/4 in. by 25-1/8 in., by Peter Loftus;
      Shelf Life 003, 2015, 28-1/4 in. by 37 in., by Steven Vasquez Lopez;
      Shelf Life 007, 2015, 28-1/4 in. by 37-1/8 in., by Steven Vasquez Lopez;
      Community, 2015, 27-1/4 in. by 37-1/4 in., by Sharon Louden;
      Community, 2015, 27 in. by 37-1/4 in., by Sharon Louden;
      Community, 2015, 21-1/4 in. by 37-1/4 in., by Sharon Louden;
      Community, 2015, 22-1/4 in. by 37-1/4 in., by Sharon Louden;
      Hangzhou, 2015, 29 in. by 36-1/4 in., by Reagan Louie;
      San Francisco, 2015, 36-5/8 in. by 29-5/8 in., by Reagan Louie;
      All Over Coffee #283 Though our Roads, 2015, 25-7/8 in. by 37-1/4 in., by Paul Madonna;
      All Over Coffee #485 Dipsea Trail 3, 2015, 27 in. by 37-1/8 in., Paul Madonna;
      All Over Coffee #517 Guerrero Park, 2015, 27 in. by 36-1/4 in., by Paul Madonna;
      All Over Coffee #548 Golden Gate Park Carousel, 2015, 27-1/8 in. by 37-1/4 in., by Paul Madonna;
      All Over Coffee #572 Raygun Retro Rocket, 2015, 26 in. by 36-1/4 in., by Paul Madonna;
      Duniya Dance and Drum Company, San Francisco City Hall, 2015, 37-1/4 in. by 26-1/4 in., by Kegan Marling;
      Gerry and Chris, Castro Street Fair, 2015, 37-1/8 in. by 31-1/8 in., by Kegan Marling;
      One Dance: Bay Area Dance Week, 2015, 25-1/4 in. by 37-1/4 in., by Kegan Marling;
      Cretian Hillside, 2015, 30-1/4 in. by 37-1/4 in., by Adam McCauley;
      Stavros Beach, 2015, 30-1/4 in. by 37-1/8 in., by Adam McCauley;
      Agree, 2015, 37 in. by 37-1/4 in., by Nikki McClure;
      Barter, 2015, 37 in. by 37-1/4 in., by Nikki McClure;
      Befriend, 2015, 37 in. by 37-1/4 in., by Nikki McClure;
      Home, 2015, 37 in. by 37-1/4 in., by Nikki McClure;
      Inhabit, 2015, 36-7/8 x 37 1/4 x 1 1/4 in., by Nikki McClure;
      Lunch, 2015, 37 in. by 37-1/4 in., by Nikki McClure;
      Perfect, 2015, 37 in. by 37-1/4 in., by Nikki McClure;
      Rely, 2015, 30 in. by 37 1/8 in., by Nikki McClure;
      After Glow (still life with endangered California flora and fauna), 2015, 37 in. by 37-1/8 in., by Robert Minervini;
      Predator and Prey (still life with endangered California flora and fauna), 2015, 37 in. by 37-1/4 in., by Robert Minervini;
      United by Fate (still life with endangered California flora and fauna), 2015, 36 in. by 36-1/4 in., by Robert Minervini;
      Chelsea, 2015, 37 in. by 37-1/8 in., by Kelly Neidig;
      Sadie, 2015, 37-1/4 in. by 37-1/8 in., by Kelly Neidig;
      Scully, 2015, 37-1/8 in. by 37-1/4 in. by Kelly Neidig;
      Tone, 2015, 37-1/8 in. by 37-1/4 in., by Kelly Neidig;
      Boats and Lotus in the Shallow Water, 2015, 37-1/2 in. by 37-3/4 in., by Siddharth Parasnis;
      Boats in the Shallow Water # 6, 2015, 37-1/4 in. by 37-1/4 in., by Siddharth Parasnis;
      House Near Railway-Crossing, 2015, 27-1/4 in. by 37-1/4 in., by Siddharth Parasnis;
      Two Storied House with a Backyard, 2015, 37-1/4 in. by 37-1/4 in., by Siddharth Parasnis;
      White Street, 2015, 37-1/8 in. by 37-1/8 in., by Siddharth Parasnis;
      CN2_1, 2015, 35-7/8 in. by 37-1/8 in., by Maria Park;
      CN2_4, 2015, 35 in. by 37-1/4 in, by Maria Park;
      Big Cloud, Ripon, 2015, 26-1/4 in. by 36-1/4 in., by Michele Ramirez;
      Burned Hills 3, 2015, 36-5/8 in. by 36-5/8 in., by Michele Ramirez;
      Outside Butano State Park, 2015, 27-1/2 in. by 36-1/2 in., by Michele Ramirez;
      Turlock, 2015, 36-1/4 in. by 26-1/4 in., by Michele Ramirez;
      Dogpatch, 2015, 36-5/8 in. by 29-1/2 in., by Eric Rewitzer;
      Golden Boy, 2015, 36-1/4 in. by 20-1/4 in., by Eric Rewitzer;
      Homeward Bound, 2015, 36-1/4 in. by 20-1/4 in., by Eric Rewitzer;
      One for the Fans, 2015, 20-1/4 in. by 36-1/8 in., by Eric Rewitzer;
      Yosemite Valley, 2015, 18-1/8 in. by 36-1/4 in., by Eric Rewitzer;
      Girl with Gear, 2015, 29-1/8 in. by 37-1/4 in., by Mary Robertson;
      River Lounge, 2015, 27-1/8 in. by 37-1/4 in., by Mary Robertson;
      Bleeding Hearts, 2015, 36-5/8 in. by 28-5/8 in., by Clare Rojas;
      Boundary Lines, 2015, 36-1/2 in. by 29-1/2 in., by Clare Rojas;
      Forget-Me-Not, 2015, 28-1/8 in. by 36-1/4 in., by Clare Rojas;
      Tulips, 2015, 36-5/8 in. by 28-5/8 in., by Clare Rojas;
      Acacia Flower Blossoms, 2015, 30 in, by 37-1/8 in., by Ron Moultrie Saunders;
      Dodonea Descending (green), 2015, 37-1/8 in. by 28-3/4 in., by Ron Moultrie Saunders;
      Pine Needles, 2015, 37-1/8 in. by 29 in., by Ron Moultrie Saunders;
      An Eclipsed Wonder, 2015, 27-1/8 in. by 36-1/4 in., by Jenn Shifflet;
      Dreaming in Turquoise, 2015, 36-5/8 in. by 36-5/8 in., by Jenn Shifflet;
      In the Midst, 2015, 36-1/4 in. by 36-1/4 in., by Jenn Shifflet;
      Lumen, 2015, 30-1/2 in. by 36-5/8 in. by Jenn Shifflet;
      Wishing on the Wind, 2015, 26-1/8 in. by 36-1/4 in., by Jenn Shifflet;
      Donut Cat, 2015, 36-1/8 in. by 29-1/4 in., by Deth P. Sun;
      Loving You, 2015, 36-3/8 in. by 36-1/2 in., by Deth P. Sun;
      Fern-3a, 2015, 36-3/8 in. by 36-5/8 in., by Seiko Tachibana;
      Fern-9, 2015, 36-3/8 in. by 36-1/2 in., by Seiko Tachibana;
      Fern-21, 2015, 36-3/8 in. by 36-1/2 in., by Seiko Tachibana;
      Fern-22, 2015, 36-3/8 in. by 36-1/2 in., by Seiko Tachibana;
      Food Take Out, 2015, 25-1/8 in. by 37-1/4 in. by Jason Tannen;
      Sam Wo, 2015, 37-1/4 in. by 25-1/8 in., by Jason Tannen;
      Spectacle, 2015, 37-1/4 in. by 25-1/8 in., by Jason Tannen;
      Azure-breasted Pitta, 2015, 37 in. by 27 in., by David Tomb;
      Blue-capped Wood Kingfishers, 2015, 28 in. by 37-1/8 in., by David Tomb;
      Collared Kingfishers, 2015, 37-1/8 in. by 27-1/8., by David Tomb;
      Philippine Trogon, 2015, 37 in. by 26-7/8 in., by David Tomb;
      Resplendent Quetzal, 2015, 38 in. by 26-1/2 in., by David Tomb;
      Rufous Hornbill, 2015, 37-1/4 in. by 26 in., by David Tomb;
      Yellow-breasted Fruit Doves, 2015, 37-1/4 in. by 27 in., by David Tomb;
      The Fog Was Lifting, 2015, 37-1/4 in. by 26-1/4 in., by Martin Webb;
      Golden Gate Park, 2015, 37-1/4 in. by 28-1/4 in., by Pamela Wilson-Ryckman;
      Lafayette Park, 2015, 37-1/4 in. by 27-1/4 in., by Pamela Wilson-Ryckman;
      Mesquite Sand Dunes, 2015, 37 in. by 37-1/4 in., by Sarah Winkler;
      Sculpted Dune, 2015, 37-1/4 in. by 37-1/8 in., by Sarah Winkler;
      Under a Big Sky, 2015, 23-1/4 in. by 37-1/4 in., by Sarah Winkler;
      China Camp Hill, 2015, 25-1/4 in. by 37-1/4 in., by June Yokell;
      Crossing, 2015, 31-1/4 in. by 37-1/4 in., by June Yokell;
      Hayward Salt Flats, 2015, 25-1/4 in. by 37-1/4 in., by June Yokell.
       
   6. RESOLUTION NO. 0404-16-097: Motion to approve and accept into the Civic Art Collection, Tree of Life [Proposal], 2009 by Lena Wolff. The artwork measures 42 in. by 42 in., and is mixed-media; composed of hand-cut and painted papers, gouache, watercolor, hole-punches, pinpricks and archival adhesives. The artwork is a proposal for a mosaic artwork, by the same name, commissioned for General Hospital Acute Care Building.
       
   7. RESOLUTION NO. 0404-16-098: Motion to approve and accept into the Civic Art Collection the artwork, Quail and Monkey Branch [Proposal], 2009 by Lena Wolff. The artwork measures 42 in. by 63 in., and is mixed-media; composed of hand-cut and painted papers, gouache, watercolor, hole-punches, pinpricks and archival adhesives. The artwork is a proposal for a mosaic artwork, by the same name, commissioned for General Hospital Acute Care Building.
       
   8. RESOLUTION NO. 0404-16-099: Motion to approve and accept into the Civic Art Collection, Circular Path [Proposal], 2009 by Lena Wolff. The artwork measures 42 in. by 63 in., and is mixed-media; composed of hand-cut and painted papers, gouache, watercolor, hole-punches, pinpricks and archival adhesives. The artwork is a proposal for a mosaic artwork, by the same name, commissioned for General Hospital Acute Care Building.
       
   9. RESOLUTION NO. 0404-16-100: Motion to approve the untitled mural designs by artist Barry McGee, to be painted and installed on seven locations at the Moscone Parking Garage located at 255 Third Street: the tower on the Southeast corner of Third and Clementina streets, at garage rooftop level, on four walls, three of which measure approximately 15 ft. by 10 ft. and one 15 ft. by 6 ft.; a ground-level freestanding wall located at the rear facing Kaplan Lane, measuring approximately 7 ft. by 15 ft.; a portion of a wall located on the Northwest corner of Kaplan Lane facing Howard Street, measuring approximately 8 ft. by 12 ft.; on a portion of an approximately 15 ft. by 20 ft. breezeway structure located on the Southwest corner of Third Street (artwork size is 5 ft. by 20 ft.); the Third Street side of the tower of Third and Clementina; the mall’s northwest rooftop; and the stairwell. The project is funded by the Bently Foundation, Kenneth Rainin Foundation, Phyllis C. Wattis Foundation and individual donors. The project is sponsored by Sites Unseen, Inc. an initiative of the Yerba Buena Community Benefit District; the painted murals will not become part of the Civic Art Collection.
       
   10. RESOLUTION NO. 0404-16-101: Motion to approve the Design Development Phase deliverables by Hughen/Starkweather for the glass artwork at the entrance to the Central Subway Union Square station.
        
   11. RESOLUTION NO. 0404-16-102: Motion to approve revised Conceptual Design deliverables (scale, lighting, and fence design) by Cliff Garten for an artwork at Bayview Gateway.
        
   12. RESOLUTION NO. 0404-16-103: Motion to approve the Design Development Phase deliverables (stills and sample animations) for two films by Laurie O’Brien for the Peephole Cinema project at San Francisco International Airport, Terminal 1, Boarding Area B.
        
   13. RESOLUTION NO. 0404-16-104: Motion to approve the Design Development Phase deliverables (film clips) by Kota Ezawa for the Peephole Cinema project at San Francisco International Airport, Terminal 1, Boarding Area B.
        
   14. RESOLUTION NO. 0404-16-105: Motion to approve the Project Outline for the Art on Market Street Kiosk Poster Series, 2017.
        
       Civic Design Review Committee Recommendations (March 21, 2016)
        
   15. RESOLUTION NO. 0404-16-106: Motion to approve Phase 3 of the Guy Mini Place Park project.
        
   16. RESOLUTION NO. 0404-16-107: Motion to approve Phase 3 of the North Lake Groundwater Pump Station project.
        
   17. RESOLUTION NO. 0404-16-108: Motion to approve Phase 3 of the South Windmill Pump Station project.
        
   18. RESOLUTION NO. 0404-16-109: Motion to approve Phase 3 of the Fire Station #5 project.
        
   19. RESOLUTION NO. 0404-16-110: Motion to approve Phase 2 of the Lombard Street Parking Garage project, contingent upon: (1) making the background existing stucco color darker so that the panels contrast more; (2) bringing large-scale material samples for Phase 3 review.
        
   20. RESOLUTION NO. 0404-16-111: Motion to approve Phase 1 of the Eagle Plaza project.
        
   21. RESOLUTION NO. 0404-16-112: Motion to approve Phase 3 of the 17th and Folsom project, excluding the fence and gate.
        
       Executive Committee Recommendations (March 28, 2016)
        
   22. RESOLUTION NO. 0404-16-113: Motion to approve the temporary installation of Sonic Engagements, a Living Innovation Zone (“LIZ”) Project, in United Nations Plaza from May, 2016 to May, 2018.
        
   23. RESOLUTION NO. 0404-16-114: Motion to approve an allocation of up to $25,000 from anonymous contributions made to the Public Art Trust to cover maintenance, safety and security costs associated with the Intrude public art installation by Amanda Parer, taking place in Civic Center Plaza between April 4th and April 25th, 2016.
        
7. New Business and Announcements
   Commissioner Sklar announced that Children’s Hospital was beginning a seven-acre residential development, and encouraged the Commission to find out more about it.
    
   Commissioner Woolford explained that he was on the board of directors of Opera Parallèle, which takes contemporary opera to different spaces and has a vigorous children’s program. He announced their upcoming production, The Lighthouse, at Z Space from April 29 through May 1. President Beltran added that she had been honored to attend a dinner featuring some of the performers, and it opened her eyes to what opera can be.
    
   President Beltran also announced the reopening of the San Francisco Museum of Modern Art, with several associated events.
    
   Commissioner Silverman announced the opening at her gallery of a show of work by Isaac Julien. She announced that he will be in town for two weeks, with a showing on April 20 of his film Looking for Langston at the Pacific Film Archive in Berkeley, and a conversation with cultural theorist B. Ruby Rich on April 23 at the Silverman Gallery.
    
   Mr. DeCaigny announced the appointment of the internationally renowned Max Hollein as the new director of the Fine Arts Museums of San Francisco, wishing him congratulations and a warm welcome.
    
   There was no public comment.
    
8. Adjournment
   There being no further business, the meeting was adjourned at 3:24 p.m.
    

posted 4/15/16, 4:15 p.m. spr
revised 4/18/16
approved 5/2/16
 

Language Accessibility

Translated written materials and interpretation services are available to you at no cost. For assistance, please notify Commission Secretary Sharon Page Ritchie, 415-252-2256, sharon.page_ritchie@sfgov.org.

我們將為閣下提供免費的書面翻譯資料和口譯服務。如需協助，Commission Secretary Sharon Page Ritchie, 415-252-2256, sharon.page_ritchie@sfgov.org.

Materiales traducidos y servicios de interpretación están disponibles para usted de manera gratuita. Para asistencia, notifique a Commission Secretary Sharon Page Ritchie, 415-252-2256, sharon.page_ritchie@sfgov.org.

Ang mga materyales na nakasalin sa ibang wika at ang mga serbisyong tagapagsalin sa wika ay walang bayad. Para sa tulong, maaring i-contact si Commission Secretary Sharon Page Ritchie, 415-252-2256, sharon.page_ritchie@sfgov.org.