SAN FRANCISCO ARTS COMMISSION
VISUAL ARTS COMMITTEE
Wednesday, April 21, 2021
3 p.m.
Remote meeting via video and teleconferencing
________________________________________
Agenda

This meeting is being held by teleconference pursuant to the Governor’s Executive Order N-29-20 and the Fifth Supplement to the Mayoral Proclamation Declaring the Existence of a Local Emergency. During the Coronavirus Disease (COVID-19) emergency, the Visual Arts Committee’s regular meeting room, War Memorial Veterans Building, Suite 125, is closed. Meetings of the Arts Commission will convene remotely.

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Public Comment:
Public Comment instructions using the WebEx platform can be found at this link: April 21 2021 VAC Public Comment instructions.pdf

Written Comment:
The public is encouraged to submit comments by emailing to craig.corpora@sfgov.org. This email address will be monitored until Wednesday, April 21, 2021 at 12 p.m. All comments received by the deadline will be read aloud by Arts Commission staff up to the three minutes maximum allotted to each commenter. In the subject line of your email, indicate the meeting date and item number. If you do not specify an agenda item number, your emailed public comment will be read under general public comment. Note: if your public comment statement is read aloud by Arts Commission staff during an agenda item, this will count as your one opportunity for public comment on that specific item. You will not be able to raise your hand to make additional public comment on the same item if your statement has already been read aloud.

Oral Comment:
Public comment in regard to specific agenda items will be taken before or during consideration of the item. During General Public Comment, members of the public may address the Commission on matters within the Commission’s jurisdiction and not otherwise on this agenda. Each speaker may speak for up to three minutes per agenda item, unless the Chair has announced a different length of time at the beginning of the meeting. Speakers may not transfer their time to another person. Any person speaking during a public comment period may supply a written summary of their comments to be included in the minutes if it is 150 words or less.

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Agenda

Visual Arts Committee Members:
Suzie Ferras, Chair
JD Beltran      
Nabiel Musleh
Abby Sadin Schnair
Janine Shiota
Debra Walker

1. Call to Order, Roll Call, and Agenda Changes

2. General Public Comment

(This item is to allow members of the public to comment generally on matters within the Committee’s purview as well as to suggest new agenda items for the Committee’s consideration.)

3. Consent Calendar
Action

Explanatory Documents: Items 2, 3, 4, 5, 6, 7, 8, 9 
Presentation Time: Approximately 3 minutes

1. Motion to authorize an increase to ARG Conservation Services in the amount of $249,000 (from $500,000-$749,000) to perform as-needed fine art conservation maintenance services for miscellaneous artworks in the Civic Art Collection.
2. Motion to approve revised construction document phase deliverables for Jesse Schlesinger’s currently untitled artworks for the Judah Streetscape Project. 
3. Motion to approve construction document phase deliverables for Alison Saar’s artwork, Flourish, for the San Francisco International Airport Terminal 3 Connector project. 
4. Motion to approve construction document phase deliverables for Susan Narduli’s artwork, Holos, for the San Francisco Police Department’s Traffic Company and Forensic Services Project.  
5. Motion to approve SFFD historical and department photographs and for fabrication and display at the SFFD Ambulance Deployment Facility.
6. Motion to approve Construction Document phase deliverables (Structural Engineering Drawings) for the Mayor Ed Lee Plaque design by Antonio Mendez for SFO International Airport International Terminal Departure Hall.
7. Motion to approve The Natural World, a mural design by artist Neil Ballard. The mural will be installed on the Faxon Garage at 545 Faxon Ave., at Ocean Ave. The work will measure approximately 10.5 ft h x 51.5 ft. w. The project is funded by a District 7 Participatory Budgeting grant. The mural will not become part of the Civic Art Collection.
8. Motion to approve Forecasting the Time, a mural design by artist Elaine Chu. The mural will be installed on the 101 Fern St., rear of the building at 1268 Sutter St. The work will measure approximately 10’ 9”–14’ 9” h ft. x 82 ft. w. The project is funded by a Community Challenge Grant and Lower Polk neighbors. The mural will not become part of the Civic Art Collection.
9. Motion to approve Moss Street Marsh, by artist Amanda Lynn, and Hot Off the Press by Antoine Marnata and Daniel Pan. Moss Street Marsh will be installed on 1074 Folsom St. and will measure approximately 25’ h x 64’ w, and also installed on 76 Moss St. and will measure approximately 20’ h x 16’ w. Hot Off the Press will be installed on 1069-1073 Howard St. and will measure approximately 35’ h ft. x 100’ ft. w. The project is funded by a Community Challenge Grant. The murals will not become part of the Civic Art Collection.
10. Motion to rescind RESOLUTION 0301-21-060, which approved the following list of artworks for purchase and display at San Francisco International Airport’s Kadish Gallery, as recommended by the artist review panel.
    
    Natural Landscape
    Ansel Adams, Moon and Half Dome, Yosemite National Park, CA, gelatin silver print, 9-1/4” x 7-1/4”, 1960, $9,500
    Robert Adams, La Loma Hills, Colton California, gelatin silver print, 16” x 20”, 1983, $19,000
    Robert Adams, Dead Palms, Partially Uprooted, Ontario, California, gelatin silver print, 16” x 20”, 1983, $21,000
    Wynn Bullock, Rocks and Waves, silver gelatin print, 7-1/2” x 9”, 1968, $10,000
    Wynn Bullock, Let There be Light, silver gelatin print, 7-1/2” x 9-1/2”, 1954, $25,000
    Wynn Bullock, Tree Trunk, vintage gelatin silver print, 7-1/2” x 9-1/2”, 1971, $15,000
    Linda Connor, Leaf, California, contact print on printing out paper, 8” x 10”, 1972, $3,500
    Imogen Cunningham, Log on Beach, vintage gelatin silver print, 7-1/2” x 9-1/4”, 1948, $25,000
    Richard Misrach, Burnt Forest and Half Dome, Yosemite, pigment print, 30” x 37”, 1988, $18,000
    Richard Misrach, Dead Fish, Salton Sea, pigment print, 20” x 24”, 1983, $18,000
    Brett Weston, Garrapata Beach, California, gelatin silver print, 7-1/2” x 9-1/2”, 1954, $10,000
    Edward Weston, Dante’s View, gelatin silver print, 7-1/4” x 9-1/4”, 1938, $8,000
    Edward Weston, China Cove, gelatin silver print, 7-1/2” x 9-1/2”, date unknown, $6,000
    
    Community/Documentary
    Janet Delaney, Woman with Mexican Flag (from Public Matters, 1982-1988), archival pigment print, 9” x 9”, $1,500 - $2,800
    Janet Delaney, I May Not Get There…First Martin Luther King Jr. Day Parade (from Public Matters, 1982-1988), archival pigment print, 9” x 9”, $1,500 - $2,800
    Janet Delaney, Car Salesmen on Market Street (from Public Matters, 1982-1988), archival pigment print, 9” x 9”, $1,500 - $2,800
    Anthony Hernandez, Public Transit Areas #6, gelatin silver print, 30” x 40”, 1979, $9,000
    Anthony Hernandez, Public Transit Areas #8, gelatin silver print, 30” x 40”, 1979, $9,000
    Anthony Hernandez, Public Transit Areas #10, gelatin silver print, 30” x 40”, 1980, $9,000
    Anthony Hernandez, Public Transit Areas #46, gelatin silver print, 30” x 40”, 1979, $9,000
    Michael Jang, At Home with the Jangs, archival pigment print, 30” x 40”, 1973, $10,000
    Michael Jang, Lucy Wearing Green, archival pigment print, 30” x 40”, 1973, $10,000
    Michael Jang, Chris Skiing, archival pigment print, 40” x 30”, 1973, $10,000
    David Johnson, Fillmore Street, archival pigment print, 20” x 24”, C.1940s, $400
    Wesley Johnson, Crowd at Texas Playhouse, archival pigment print, 20” x 24”, 1958, $400
    David Johnson, David Robinson, archival pigment print, 20” x 24”, C.1940s, $400
    David Johnson, Rhythm Records, archival pigment print, 20” x 24”, 1947, $400
    Wesley Johnson, Lottie “The Body” Claiborne, archival pigment print, 20” x 24”, C.1950s, $400
    Jerry Stoll, Jam Session Inside Bop City, archival pigment print, 20” x 24”, C.1940s, $400
    Garry Winogrand, Klamath River, California, gelatin silver print, 14” x 11”, 1964, $21,000
    Garry Winogrand, Los Angeles International Airport, gelatin silver print, 14” x 11”, 1964, $9,500
    
    Built Environment
    John Divola, Zuma #5, archival digital color pigment print, 24” x 30”, $10,000
    John Divola, Zuma #12, archival digital color pigment print, 24” x 30”, $10,000
    John Divola, Zuma #70, archival digital color pigment print, 24” x 30”, $10,000
    Lee Friedlander, Los Angeles, California, gelatin silver print, 11” x 14”, 1970, $14,000
    Lee Friedlander, Alameda, California, gelatin silver print, 11” x 14”, 1967, $9,000
    Fred Lyon, Boy on Bicycle, Cabrillo and 22nd Avenue, gelatin silver print, 14” x 11”, C.1950s, $2,500
    Fred Lyon, Fairmont Hotel in Fog atop San Francisco’s Nob Hill, vintage gelatin silver print, 14” x 11”, C.1950s, $7,500
    Catherine Wagner, Northern Vista, George Moscone Site, San Francisco, archival pigment print, 20” x 24”, 1978, $12,000
    Catherine Wagner, Arch Construction IV, George Moscone Site, San Francisco, archival pigment print, 20” x 24”, 1978, $12,000
    Edward Weston, Plasterworks, gelatin silver print, 9-1/8” x 7-1/4”, 1927, $12,000
11. Motion to approve the list of artworks for purchase and display at San Francisco International Airport’s Kadish Gallery, as recommended by the artist review panel, with corrected purchase prices.
    
    Natural Landscape

Ansel Adams, Moon and Half Dome, Yosemite National Park, CA, gelatin silver print, 9-1/4” x 7-1/4”, 1960, $9,500
Robert Adams, La Loma Hills, Colton California, gelatin silver print, 16” x 20”, 1983, $19,000
Robert Adams, Dead Palms, Partially Uprooted, Ontario, California, gelatin silver print, 16” x 20”, 1983, $21,000
Wynn Bullock, Rocks and Waves, silver gelatin print, 7-1/2” x 9”, 1968, $10,000
Wynn Bullock, Let There be Light, silver gelatin print, 7-1/2” x 9-1/2”, 1954, $25,000
Wynn Bullock, Tree Trunk, vintage gelatin silver print, 7-1/2” x 9-1/2”, 1971, $15,000
Linda Connor, Leaf, California, contact print on printing out paper, 8” x 10”, 1972, $3,500
Imogen Cunningham, Log on Beach, vintage gelatin silver print, 7-1/2” x 9-1/4”, 1948, $25,000
Richard Misrach, Burnt Forest and Half Dome, Yosemite, pigment print, 30” x 37”, 1988, $18,000
Richard Misrach, Dead Fish, Salton Sea, pigment print, 20” x 24”, 1983, $18,000
Brett Weston, Garrapata Beach, California, gelatin silver print, 7-1/2” x 9-1/2”, 1954, $10,000
Edward Weston, Dante’s View, gelatin silver print, 7-1/4” x 9-1/4”, 1938, $8,000
Edward Weston, China Cove, gelatin silver print, 7-1/2” x 9-1/2”, date unknown, $6,000

Community/Documentary
Janet Delaney, Woman with Mexican Flag (from Public Matters, 1982-1988), archival pigment print, 9” x 9”, $1,500 - $2,800
Janet Delaney, I May Not Get There…First Martin Luther King Jr. Day Parade (from Public Matters, 1982-1988), archival pigment print, 9” x 9”, $1,500 - $2,800
Janet Delaney, Car Salesmen on Market Street (from Public Matters, 1982-1988), archival pigment print, 9” x 9”, $1,500 - $2,800
Anthony Hernandez, Public Transit Areas #6, gelatin silver print, 30” x 40”, 1979, $9,000
Anthony Hernandez, Public Transit Areas #8, gelatin silver print, 30” x 40”, 1979, $9,000
Anthony Hernandez, Public Transit Areas #10, gelatin silver print, 30” x 40”, 1980, $9,000
Anthony Hernandez, Public Transit Areas #46, gelatin silver print, 30” x 40”, 1979, $9,000
Michael Jang, At Home with the Jangs, archival pigment print, 30” x 40”, 1973, $10,000
Michael Jang, Lucy Wearing Green, archival pigment print, 30” x 40”, 1973, $10,000
Michael Jang, Chris Skiing, archival pigment print, 40” x 30”, 1973, $10,000
David Johnson, Fillmore Street, archival pigment print, 20” x 24”, C.1940s, $400
Wesley Johnson, Crowd at Texas Playhouse, archival pigment print, 20” x 24”, 1958, $400
David Johnson, David Robinson, archival pigment print, 20” x 24”, C.1940s, $400
David Johnson, Rhythm Records, archival pigment print, 20” x 24”, 1947, $400
Wesley Johnson, Lottie “The Body” Claiborne, archival pigment print, 20” x 24”, C.1950s, $400
Jerry Stoll, Jam Session Inside Bop City, archival pigment print, 20” x 24”, C.1940s, $400
Garry Winogrand, Klamath River, California, gelatin silver print, 14” x 11”, 1964, $9,500
Garry Winogrand, Los Angeles International Airport, gelatin silver print, 14” x 11”, 1964, $21,000

Built Environment
John Divola, Zuma #5, archival digital color pigment print, 24” x 30”, $10,000
John Divola, Zuma #12, archival digital color pigment print, 24” x 30”, $10,000
John Divola, Zuma #70, archival digital color pigment print, 24” x 30”, $10,000
Lee Friedlander, Los Angeles, California, gelatin silver print, 11” x 14”, 1970, $14,000
Lee Friedlander, Alameda, California, gelatin silver print, 11” x 14”, 1967, $9,500
Fred Lyon, Boy on Bicycle, Cabrillo and 22nd Avenue, gelatin silver print, 14” x 11”, C.1950s, $2,500
Fred Lyon, Fairmont Hotel in Fog atop San Francisco’s Nob Hill, vintage gelatin silver print, 14” x 11”, C.1950s, $7,500
Catherine Wagner, Northern Vista, George Moscone Site, San Francisco, archival pigment print, 20” x 24”, 1978, $12,000
Catherine Wagner, Arch Construction IV, George Moscone Site, San Francisco, archival pigment print, 20” x 24”, 1978, $12,000
Edward Weston, Plasterworks, gelatin silver print, 9-1/8” x 7-1/4”, 1927, $12,000

4. Minna-Natoma Street Art Corridor
Action

Staff Presenter: Jill Manton
Explanatory Document: Presentation  
Presentation Time: Approximately 10 minutes

Presentation of the finalists associated with the Minna-Natoma Street Art Corridor.

Discussion and Possible Action: to approve Louisiana Bendolph (Renee Bott Collection), Spencer Cunningham Keeton, Alicia McCarthy, Adia Millet, Brendan Monroe, Kelly Ording, Muzae Sesay, Barbara Stauffacher Solomon, and Eli Sudbrack for the Minna-Natoma Street Art Corridor Streetscape Public Art opportunity, and Walter Kitundu, Masako Miki, Woody De Othello, Pedro Reyes, Jesse Schlesinger, and Rayanne Tabet and Ballman Khapalova for the Minna-Natoma Street Art Corridor Street Furniture Public Art opportunity, as recommended by the artist review panel.

5, Temporary Installation for Golden Gate Park
Action

Staff Presenter: Susan Pontious
Explanatory Document: Installation Proposals by Illuminate and See Black Womxn
Presentation Time: Approximately 15 minutes

Presentation of two related installations, Lift Every Voice, by Illuminate, an illuminated text installation proposed for the Spreckels Temple of Music, and Monumental Reckoning, by See Black Womxn, a sculptural installation consisting of 350 4 ft. figures surrounding the plinth of the Francis Scott Key monument. The proposed installation time will be 1 year, from June 1, 2021 to June 30, 2023.

Discussion and possible action: to approve the design of a temporary installation of Lift Every Voice, by Illuminate. The proposal is for an illuminated text installation on the Spreckels Temple of Music in the music concourse of Golden Gate Park. The installation period shall be for 1 year, from June 1, 2021 to June 30, 2023. The installation will not become part of the Civic Art Collection.

Discussion and possible action: to approve the design of Monumental Reckoning, by See Black Womxn in partnership with the Museum of African Diaspora. The installation consists of three hundred-fifty 4’ figures surrounding the Francis Scott Key monument in Golden Gate Park. The installation will be from June 1, 2021-June 30-2023. The installation will not become part of the Civic Art Collection.

6. Treasure Island West Bridge Connector
Discussion

Staff Presenter: Mary Chou
Explanatory Documents: Presentation  
Presentation Time: Approximately 5 minutes

Discussion of the Treasure Island West Bridge Connector public art project.

7. Herz Recreation Center
Action

Staff Presenter: Marcus Davies
Explanatory Documents: Renderings; Project Outline
Presentation Time: Approximately 5 minutes

Presentation of the Project Outline for the Herz Recreation Center public art project.

Discussion and Possible action: to approve the Project Outline for the Herz Recreation Center public art project.

8. Judah Streetscape
Action

Staff Presenter: Marcus Davies, Artist Jesse Schlesinger
Explanatory Documents: Artwork Rendering
Presentation Time: Approximately 3 minutes

Presentation of revised design development documents for artwork by Jesse Schlesinger for the Judah Streetscape Public Art Project.

Discussion and Possible action: to approve revised design development documents for Jesse Schlesinger’s untitled artworks for the Judah Streetscape Public Art Project.

9. Traffic Company and Forensic Division
Action

Staff Presenter: Marcus Davies, Artist Susan Narduli
Explanatory Documents: Artwork Rendering
Presentation Time: Approximately 5 minutes

Presentation of design development deliverables for an artwork by Susan Narduli for the Traffic Company and Forensic Services Division Public Art Project. 

Discussion and Possible action: to approve design development documents for Susan Narduli’s artwork, Holos for the Traffic Company and Forensic Services Division Public Art Project. 

10. Potrero Gateway
Action

Staff Presenter: Zoë Taleporos
Explanatory Documents: Architectural Renderings; Artwork Images   
Presentation Time: Approximately 10 minutes


Presentation of the selected finalists Randy Colosky for the Potrero Gateway Park Public Art Project, as recommended by the artist review panel.

Discussion and Possible action: to approve the selected finalist Randy Coloksy for the Potrero Gateway Park Public Art Project, as recommended by the artist review panel.

11. Central Subway-- Jim Campbell/Werner Klotz
Action

Staff Presenter: Zoë Taleporos
Explanatory Documents: Images of Completed Artwork
Presentation Time: Approximately 10 minutes


Presentation of the artwork by Jim Campbell and Werner Klotz installed at the Central Subway Union Square Market Street Station Platform Level.

Discussion and Possible action: to approve the artwork, Untitled, a stainless steel sculpture by artists Jim Campbell and Werner Klotz, as installed at the Central Subway Union Square Market Street Station Platform Level.

12. Central Subway—Erwin Redl
Action

Staff Presenter: Zoë Taleporos
Explanatory Documents: Images of Completed Artwork   
Presentation Time: Approximately 10 minutes


Presentation of the artwork by Erwin Redl installed at the Central Subway Union Square Market Street Station Concourse Level.

Discussion and Possible action: to approve the artwork, Lucy in the Sky, an LED artwork by Erwin Redl, as installed at the Central Subway Union Square Market Street Station Concourse Level.

13. Southeast Community Center at 1550 Evans—2D Artwork Program
Action

Staff Presenter: Jackie von Treskow
Explanatory Document: SECC 2D Artwork Program Panel Summary; Images of Work by Selected Artists
Presentation Time: Approximately 5 minutes

Presentation of the artists selected for the potential purchase of artwork for the Southeast Community Center at 1550 Evans—2D Artwork Program. 

Discussion and Possible Action: to approve artists selected for the potential purchase of artwork for the Southeast Community Center at 1550 Evans—2D Artwork Program.

14. San Francisco International Airport: C3C Secure Connector
Action

Staff Presenter: Aleta Lee
Explanatory Document: Construction Document Phase Deliverables
Presentation Time: Approximately 5 minutes

Presentation of Construction Document Phase deliverables by Kim Anno for the SFO C3C Secure Connector Wall.

Discussion and Possible action: to approve the Construction Document Phase deliverables (Artwork Mock-up and Structural Engineering Drawings) by Kim Anno for the SFO C3C Secure Connector Wall.

15. Mission Branch Library
Action

Staff Presenter: Aleta Lee
Explanatory Documents: Panel summary, Selected finalist images
Presentation Time: Approximately 5 minutes

Presentation of the selected finalists for the Mission Branch Library public art project.

Discussion and possible action: to approve the selected finalists, Juana Alicia Araiza, Javier Rocabado, and Josue Rojas for the Mission Branch Library Public Art Project, as recommended by the artist review panel.

16. New Business and Announcements

(This item is to allow the Commissioners to introduce new agenda items for consideration, to report on recent arts activities and to make announcements.)

17. Adjournment
Action
 

CC 4/16/2021 2:53pm

Notices

The San Francisco Arts Commission Visual Arts Committee Meeting will be held virtually due to public health emergency.

Agenda Item Information / Materials Available
Each item on the agenda may include the following documents:

1) Department or Agency or report;

2) Public correspondence;

3) Other explanatory documents.

During the pendency of the closure of the Commission’s offices during the COVID-19 Shelter-in-Place Order and related disruptions to on-site business processes, explanatory documents listed above, as well as documents created or distributed after the posting of this agenda to the Arts Commission will be available only electronically, please contact: Program Associate Craig Corpora at craig.corpora@sfgov.org or 415-252-2249. PLEASE NOTE: The Arts Commission often receives documents created or submitted by other City officials, agencies or departments after the posting of the Arts Commission agenda. For such documents or presentations, members of the public may wish to contact the originating agency if they seek documents not yet provided to the Arts Commission.

Meeting Procedures

1. Agenda items will normally be heard in order. Please note, that on occasion a special circumstance may necessitate that an agenda item be taken out of order. To ensure that an agenda item is not missed, it is advised to arrive at the beginning of the meeting. All agenda changes will be announced by the Chair at the top of the meeting.

2. Public comment will be taken before or during the Committee’s consideration of each agenda item. Each speaker will be allowed to speak for the time allotted by the Chair at the top of the meeting or up to 3 minutes.

3. During General Public Comment, members of the public may address the Commissioners on matters that are within the Arts Commission’s jurisdiction and are not on the agenda.

4. Any person speaking during a public comment period may supply a brief written summary of their comments, which shall, if no more than 150 words, be included in the official file. Written comments pertaining to this meeting should be submitted to Craig Corpora at craig.corpora@sfgov.org.

Electronic Devices Prohibited
The ringing of and use of cell phones, pagers, and similar sound-producing electronic devices are prohibited at this meeting, except as necessary to participate remotely. The Chair may order the exclusion from participation of any person responsible for improper disruptions to this remote meeting.

Disability Access
To obtain a disability‐related modification or accommodation, including auxiliary aids or services, to participate in the meeting, please contact Craig Corpora at craig.corpora@sfgov.org or 415-252-2249, at least 48 hours before the meeting, except for Monday meetings, for which the deadline is 4:00 p.m. the previous Friday.

Archives Available
A recording of this meeting will be available online after the meeting at the following address: https://sfgov.org/arts/node/708.

Lobbyist Registration and Reporting Requirements
Individuals and entities that influence or attempt to influence local legislative or administrative action may be required by the San Francisco Lobbyist Ordinance (San Francisco Campaign and Governmental Conduct Code sections 2.100-2.160) to register and report lobbying activity. For more information about the Lobbyist Ordinance, please contact the Ethics Commission at 25 Van Ness Avenue, Suite 220, San Francisco, CA 94102, telephone 415/252-3100, fax 415/252-3112 and http://www.sfethics.org/ethics/2009/12/lobbyist-ordinance-2010.html.

KNOW YOUR RIGHTS UNDER THE SUNSHINE ORDINANCE
Government’s duty is to serve the public, reaching its decision in full view of the public. Commissions, boards, councils and other agencies of the City and County exist to conduct the people’s business. This ordinance assures that deliberations are conducted before the people and that City operations are open to the people’s review. For more information on your rights under the Sunshine Ordinance or to report a violation of the ordinance, contact by mail to Administrator, Sunshine Ordinance Task Force, 1 Dr. Carlton B. Goodlett Place, Room 244, San Francisco CA 94102-4689; by phone at 415-554 7724; by fax at 415-554 7854; or by email at sotf@sfgov.org.

Citizens interested in obtaining a free copy of the Sunshine Ordinance can request a copy from by printing Chapter 67 of the San Francisco Administrative Code on the Internet, http://www.sfgov.org/sunshine/

Accessibility Meeting Policy
Per the American Disabilities Act and the Language Access Ordinance, Chinese, Spanish, and/or American Sign Language interpreters will be available upon request. Additionally, every effort will be made to provide a sound enhancement system, meeting materials in alternative formats, and/or a reader. Minutes may be translated after they have been adopted by the Commission. For all these requests, please contact Program Associate, Craig Corpora at least 48 hours before the meeting at 415-252-2249. Late requests will be honored if possible. The hearing room is wheelchair accessible.

利便参與會議的相關規定
根據美國殘疾人士法案和語言服務條例，中文、西班牙語、和/或美國手語翻譯人員在收到要求後將會提供翻譯服務。另外，我們將盡力提供擴音設備。同時也將會提供不同格式的會議資料， 和/或者提供閱讀器。此外，翻譯版本的會議記錄可在委員會通過後提供。上述的要求，請於會議前最少48小時致電415-252-2249向Craig Corpora 提出。逾期提出的請求，若可能的話，亦會被考慮接納。聽證室設有輪椅通道。

POLITICA DE ACCESO A LA REUNIÓN
De acuerdo con la Ley sobre Estadounidenses con Discapacidades (American Disabilities Act) y la Ordenanza de Acceso a Idiomas (Language Access Ordinance) intérpretes de chino, español, y lenguaje de señas estarán disponibles de ser requeridos. En adición, se hará todo el esfuerzo posible para proveer un sistema mejoramiento de sonido, materiales de la reunión en formatos alternativos, y/o proveer un leedor. Las minutas podrán ser traducidas luego de ser aprobadas por la Comisión. Para solicitar estos servicios, favor contactar a Program Associate, Craig Corpora, por lo menos 48 horas antes de la reunión al 415-252-2249. Las solicitudes tardías serán consideradas de ser posible. La sala de audiencia es accesible a silla de ruedas.

PATAKARAN PARA SA PAG-ACCESS NG MGA MITING
Ayon sa batas ng American Disabilities Act at ng Language Access Ordinance, maaring mag-request ng mga tagapagsalin wika sa salitang Tsino, Espanyol at/o sa may kapansanan pandinig sa American Sign Language. Bukod pa dito, sisikapin gawan ng paraan na makapaglaan ng gamit upang lalong pabutihin ang inyong pakikinig, maibahagi ang mga kaganapan ng miting sa iba't ibang anyo, at/o isang tagapagbasa. Ang mga kaganapan ng miting ay maaring isalin sa ibang wika matapos ito ay aprobahan ng komisyon. Sa mga ganitong uri ng kahilingan, mangyari po lamang makipag ugnayan kay Program Associate, Craig Corpora sa 415-252-224s9. Magbigay po lamang ng hindi bababa sa 48 oras na abiso bago ng miting. Kung maari, ang mga late na hiling ay posibleng tanggapin. Ang silid ng pagpupulungan ay accessible sa mga naka wheelchair.