Visual Arts Committee - June 16, 2021 - Agenda
SAN FRANCISCO ARTS COMMISSION
VISUAL ARTS COMMITTEE
Wednesday, June 16, 2021
3 p.m.
Remote meeting via video and teleconferencing
________________________________________
Agenda
This meeting is being held by teleconference pursuant to the Governor’s Executive Order N-29-20 and the Fifth Supplement to the Mayoral Proclamation Declaring the Existence of a Local Emergency. During the Coronavirus Disease (COVID-19) emergency, the Visual Arts Committee’s regular meeting room, War Memorial Veterans Building, Suite 125, is closed. Meetings of the Arts Commission will convene remotely.
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Agenda
Visual Arts Committee Members:
Suzie Ferras, Chair
JD Beltran
Yiying Lu
Nabiel Musleh
Abby Sadin Schnair
Janine Shiota
Debra Walker
1. Call to Order, Roll Call, and Agenda Changes
2. General Public Comment
(This item is to allow members of the public to comment generally on matters within the Committee’s purview as well as to suggest new agenda items for the Committee’s consideration.)
3. Consent Calendar
Action
Explanatory Documents: Items 1, 6, & 7
Presentation Time: Approximately 3 minutes
- Motion to approve Together We Grow Resilient, a mural design by artists Deirdre Weinberg, Julia Barzizza, and Flavia Mora. The mural will be installed on the building at 375 Laguna Honda Blvd. at Woodside Ave. The painted mural will measure approximately 6.5-8 ft. high by 200 ft. wide. The project is funded by a District 7 Participatory Budget Grant. The painted mural will not become part of the Civic Art Collection.
- Motion to rescind RESOLUTION 0503-21-113 approving the list of artworks for purchase and display at San Francisco International Airport’s Kadish Gallery, as recommended by the artist review panel, with corrected purchase prices.
- Motion to approve the amended list of artworks for purchase and display at San Francisco International Airport’s Kadish Gallery, as recommended by the artist review panel, with corrected purchase prices.
Natural Landscape
Ansel Adams, Moon and Half Dome, Yosemite National Park, CA, gelatin silver print, 9-1/4” x 7-1/4”, 1960, $9,500
Robert Adams, Dead Palms, Partially Uprooted, Ontario, California, gelatin silver print, 16” x 20”, 1983, $21,000
Robert Adams, La Loma Hills, Colton California, gelatin silver print, 16” x 20”, 1983, $19,000
Wynn Bullock, Let There be Light, silver gelatin print, 7-1/2” x 9-1/2”, 1954, $25,000
Wynn Bullock, Rocks and Waves, silver gelatin print, 7-1/2” x 9”, 1968, $10,000
Wynn Bullock, Tree Trunk, vintage gelatin silver print, 7-1/2” x 9-1/2”, 1971, $15,000
Linda Connor, Leaf, California, contact print on printing out paper, 8” x 10”, 1972, $3,500
Imogen Cunningham, Log on Beach, vintage gelatin silver print, 7-1/2” x 9-1/4”, 1948, $25,000
Richard Misrach, Burnt Forest and Half Dome, Yosemite, pigment print, 30” x 37”, 1988, $18,000
Richard Misrach, Dead Fish, Salton Sea, pigment print, 20” x 24”, 1983, $18,000
Brett Weston, Garrapata Beach, California, gelatin silver print, 7-1/2” x 9-1/2”, 1954, $10,000
Edward Weston, China Cove, gelatin silver print, 7-1/2” x 9-1/2”, date unknown, $6,000
Edward Weston, Dante’s View, gelatin silver print, 7-1/4” x 9-1/4”, 1938, $8,000
Community/Documentary
Ricardo Alvarado, Band playing at Flat Party, archival pigment print, 20” x 24”, date unknown, $1,900
Janet Delaney, “Cookies not Contras,” Peace, Jobs and Justice Parade, (from Public Matters, 1982-1988), archival pigment print, 9” x 9”, 1986, $1,500
Janet Delaney, Dominique DiPrima on Stage (from Public Matters, 1982-1988), archival pigment print, 9” x 9”, 1985, $1,700
Janet Delaney, I May Not Get There…First Martin Luther King Jr. Day Parade, (from Public Matters, 1982-1988), archival pigment print, 9” x 9”, 1986, $1,500
Janet Delaney, The Carnaval Ride (from Public Matters, 1982-1988), archival pigment print, 9” x 9”, 1985, $1,500
Janet Delaney, Woman with Mexican Flag (from Public Matters, 1982-1988), archival pigment print, 9” x 9”, 1985, $1,500
Janet Delaney, Young Couple at Carnaval (from Public Matters, 1982-1988), archival pigment print, 9” x 9”, 1984, $1,500
Anthony Hernandez, Public Transit Areas #6, gelatin silver print, 30” x 40”, 1979, $9,000
Anthony Hernandez, Public Transit Areas #8, gelatin silver print, 30” x 40”, 1979, $9,000
Anthony Hernandez, Public Transit Areas #10, gelatin silver print, 30” x 40”, 1980, $9,000
Anthony Hernandez, Public Transit Areas #46, gelatin silver print, 30” x 40”, 1979, $9,000
Michael Jang, At Home with the Jangs, archival pigment print, 30” x 40”, 1973, $10,000
Michael Jang, Chris Skiing, archival pigment print, 40” x 30”, 1973, $10,000
Michael Jang, Lucy Wearing Green, archival pigment print, 30” x 40”, 1973, $10,000
David Johnson,1223 Fillmore Street, archival pigment print, 20” x 24”, C.1940s, $1,900
David Johnson, A Crowd at the Primalon Ballroom, archival pigment print, 20” x 24”, C.1950s, $1,900
David Johnson, Bird’s-Eye View of Fillmore Street, Looking South Towards Post Street and Geary Street, archival pigment print, 20” x 24”, C.1940s, $1,900
David Johnson, Dancing in a Fillmore Flat, archival pigment print, 20” x 24”, C.1940s, $1,900
David Johnson, Dancing at a Fillmore Nightclub, archival pigment print, 20” x 24”, C.1940s, $1,900
David Johnson, David Robinson, The Bass Player for Roy Milton’s Band, on the Floor of the Primalon Ballroom, archival pigment print, 20” x 24”, C.1940s, $1,900
David Johnson, Rhythm Records, 1980 Sutter Street, archival pigment print, 20” x 24”, 1947, $1,900
Wesley Johnson, Crowd at Texas Playhouse, September 10, 1958, archival pigment print, 20” x 24”, 1958, $1,900
Wesley Johnson, Bar Patrons Outside the Club Flamingo, archival pigment print, 20” x 24”, C.1940s, $1,900
Wesley Johnson, Earl Grant on Organ, Junius Simmons on Guitar, Blue Mirror, archival pigment print, 20” x 24”, 1956, $1,900
Wesley Johnson, Lottie “The Body” Claiborne and her Husband Harlem Globetrotters Star Goose Tatum at a Good-Bye Party at the Texas Playhouse, Celebrating their Trip to Yokohama, Japan, archival pigment print, 20” x 24”, C.1950s, $1,900
Jerry Stoll, Jam Session Inside Bop City, archival pigment print, 20” x 24”, date unknown, $1,900
Unknown Photographer, A 1951 jam session inside Bop City, archival pigment print, 20” x 24”, 1951, $1,900
Unknown Photographer, Deborah Saunders King Collection, Saunders King with One of His Many Hollow-Body Guitars, archival pigment print, 20” x 24”, C.1970s, $1,900
Unknown Photographer, Singer Sweetie Mitchell, Saxophonist Sammy Simpson, and Unknown Band at an Unknown Fillmore Club, archival pigment print, 20” x 24”, C.1950s, $1,900
Garry Winogrand, Klamath River, California, gelatin silver print, 14” x 11”, 1964, $9,500
Garry Winogrand, Los Angeles International Airport, gelatin silver print, 14” x 11”, 1964, $21,000
Built Environment
John Divola, Zuma #5, archival digital color pigment print, 24” x 30”, $10,000
John Divola, Zuma #12, archival digital color pigment print, 24” x 30”, $10,000
John Divola, Zuma #70, archival digital color pigment print, 24” x 30”, $10,000
Lee Friedlander, Alameda, California, gelatin silver print, 11” x 14”, 1967, $9,500
Lee Friedlander, Los Angeles, California, gelatin silver print, 11” x 14”, 1970, $14,000
Fred Lyon, Boy on Bicycle, Cabrillo and 22nd Avenue, gelatin silver print, 14” x 11”, C.1950s, $2,500
Fred Lyon, Fairmont Hotel in Fog atop San Francisco’s Nob Hill, vintage gelatin silver print, 14” x 11”, C.1950s, $7,500
Catherine Wagner, Arch Construction IV, George Moscone Site, San Francisco, archival pigment print, 20” x 24”, 1978, $12,000
Catherine Wagner, Northern Vista, George Moscone Site, San Francisco, archival pigment print, 20” x 24”, 1978, $12,000
Edward Weston, Plasterworks, gelatin silver print, 9-1/8” x 7-1/4”, 1927, $12,000
- Motion to rescind RESOLUTION 1202-19-323 authorizing the Director of Cultural Affairs to increase the contract with White Light Inc. for an artwork at Central Subway Union Square Market Street Station from $448,623 to an amount not to exceed $458,723 (an increase of $10,100) to allow for additional engineering services required of the project.
- Motion to authorize the Director of Cultural Affairs to increase the contract with White Light Inc. for an artwork at Central Subway Union Square Market Street Station from $448,623 to an amount not to exceed $458,823 (an increase of $10,200) to allow for additional engineering services required for the project.
- Motion to approve the artwork Arc-Cycle by Catherine Wagner as installed at Central Subway Yerba Buena Moscone Station Headhouse and Concourse Level.
- Motion to approve the artwork Face C/Z by Leslie Shows as installed at Central Subway Yerba Buena Moscone Station Ticketing Hall.
4. C.G. Jung Institute regarding Layla by Joe Mangrum
Action
Staff Presenter: Susan Pontious
Explanatory Documents: Petition from C.G. Jung Institute, Power Point of site condition, Staff Report
Presentation Time: Approximately 7 minutes
Presentation of the C.G. Jung Institute of San Francisco’s request and the San Francisco Art Commission staff’s recommendations for the artwork Layla by Joe Mangrum at the Mission Street Bus Bulb at Mission and 22nd Streets.
Discussion and possible action: to authorize the C.G. Jung Institute of San Francisco to modify, alter or destroy Layla (2001.17) a terrazzo artwork by Joe Mangrum (the “Artist”) located at the S.W. corner of Mission and 22nd Streets (the “Artwork”), in order for the Jung Institute to complete electrical work mandated by the City as a condition of their occupancy of 2610 Mission Street. The electrical work may not commence until the City has issued a notification of the intended work. The Commission authorizes staff to provide the Artist with formal notification of the planned electrical work affecting the Artwork. As a courtesy to the Artist, the notification will provide for a 90 day waiting period before work can commence. The 90 day waiting period will allow time for the Jung Institute and the Artist to discuss possible solutions for either restoring or refabricating the Artwork. During this time the Artist may also choose to pay to remove the Artwork. If the Artist removes the Artwork or if the Jung Institute and the Artist come to a mutually agreeable solution before the end of the 90 day waiting period, then the Jung institute may proceed with the electrical work.
5. Muni-Metro East Expansion
Action
Staff Presenter: Susan Pontious
Explanatory Documents: Project Outline for use of Art Enrichment funds from MME Expansion
Presentation Time: Approximately 5 minutes
Presentation of Muni-Metro East Expansion project and recommendation for pooling of Art Enrichment funds generated by the project for use in more public locations.
Discussion and Possible action: to approve the project plan for the Muni-Metro East Expansion Project.
6. Public Art Program Annual Report
Discussion
Staff Presenter: Susan Pontious
Explanatory Documents: Power Point
Presentation Time: Approximately 10 minutes
Presentation of the Public Art Program’s annual report.
7. Relocation of Pepe Ozan sculpture “Invocation” to Palega Park
Action
Staff Presenter: Marcus Davies
Explanatory Documents: Staff Report
Presentation Time: Approximately 5 minutes
Presentation of the plan to relocate Pepe Ozan’s sculpture Invocation from the Cesar Chavez Pedestrian Overpass (Cesar Chavez and Vermont St.) to Palega Park.
Discussion and Possible action: to approve the relocation of Pepe Ozan’s sculpture Invocation from the Cesar Chavez Pedestrian Overpass (Cesar Chavez and Vermont St.) to Palega Park.
8. Mission Creek Park
Action
Staff Presenter: Jackie von Treskow
Explanatory Documents: Site Plans and Renderings; Project Plan
Presentation Time: Approximately 7 minutes
Presentation of the Project Plan for the Mission Creek Park public art project.
Discussion and Possible action: to approve the Project Plan for the Mission Creek Park public art project.
9. Southeast Community Center at 1550 Evans – 2D Artwork Program
Action
Staff Presenter: Jackie von Treskow
Explanatory Documents: Panel Two Summary; Artwork Images
Presentation Time: Approximately 10 minutes
Presentation of the list of two-dimensional artworks for purchase or licensing and display at the Southeast Community Center at 1550 Evans, as recommended by the artist review panel.
Discussion and Possible action: to approve the list of two-dimensional artworks for purchase or licensing and display at the Southeast Community Center at 1550 Evans, as recommended by the artist review panel:
African American Academy/Fely Tchaco, Bayview Shore Candlestick Park, 2021, Oil on Canvas, 24 in x 20 in, $2500
African American Academy/Fely Tchaco, Fam Elegance Ethnic Art Deco, 2020, Digital Art (print on canvas), 60 in x 40 in, $1500 (for licensing)
Louisiana Bendolph, Shared Legacy, 2007, Color Intaglio Print, 31 in x 34.5 in, $3000
Louisiana Bendolph, Look Underneath, 2013, Color Intaglio Print, 37 in x 32 in, $2500
Suhas Bhujbal, Market # 10, 2018, Oil on panel, 36 in x 68 in, $1500 (for licensing)
Suhas Bhujbal, Ocean Breeze, 2017, Oil on panel, 36 in x 68 in, $1500 (for licensing)
Suhas Bhujbal, On the Way to Work, 2017, Oil on canvas, 48 in x 48 in, $4000
Rodney Ewing, Resurrection (Henrietta Lacks), 2016, Silkscreen and dry pigment on paper, 60 in x 40 in, $4000
Rodney Ewing, Brothers and Sisters, 2016, Silkscreen and dry pigment on paper, 60 in x 40 in, $4000
Nina Fabunmi, Pride, 2013, Oil on canvas, 36 in x 36 in, $2910
Nina Fabunmi, DEEP IN A MAN, 2014, Oil on canvas, 30 in x 40 in, $2550
Juan R. Fuentes, Hermanita III, 2021, Linocut, 22 in x 28 in, $1200
Juan R. Fuentes, En El Cielo, 2019, Linocut/Watercolor, 22 in x 30 in, $800
Frederick Hayes, Green with Envy, 2020, Acrylic, 24 in x 18 in, $1500 (for licensing)
Frederick Hayes, Old School No Fool, 2020, Graphite, 17 in x 14 in, $1500 (for licensing)
Ivan Lopez, Eagle Warrior America (Wild Human), 2019, Acrylic on upcycled wood, 36.5 in x 31, $2200
Ivan Lopez, Yellow Sun Power, 2019, Acrylic on wood, 36.5 in x 31, $2200
Derek Macario, Skating Through, 2018, Film Photography, digital scan print, 20 in x 20 in, $250
Derek Macario, Bayview Wheelie, 2017, Film Photography, digital scan print, 20 in x 20 in, $500
Ata'ataoletaeao McNealy, The Afro, 2020, Acrylic on canvas, 36 in x 24 in, $2750
Ata'ataoletaeao McNealy, Thee Fine-Apple, 2020, Acrylic on canvas, 36 in x 24 in, $3000
Boon Heng Pang, Ohlone Prayers For The Future, 2021, Acrylic, mixed media, canvas on aluminum panel, 42 in x 60 in, $3800
Boon Heng Pang, Ohlone Prayers From Our Past, 2021, Acrylic, mixed media, canvas on aluminum panel, 42 in x 60 in, $3800
William Rhodes, Soul of San Francisco Quilt, 2020, Paint, pencil, pen and fabric, 51 in x 63 in, $4000
William Rhodes, Bayview Heroes, 2020, Paint, pencil, pen and fabric, 48 in x 70 in, $4000
Rhonel Roberts, Pops, 2007, Acrylic on canvas, 36 in x 40 in, $4000
Rhonel Roberts, Dad and Me, 2015, Acrylic on paper, 22 in x 30 in, $1850
Blanca Estela Rodriguez Mandujano, Sisters, 2021, Photography, 45 in x 30 in, $2000
Blanca Estela Rodriguez Mandujano, Trust, 2021, Photography, 45 in x 30 in, $2000
Ron Saunders, Of This Earth I, 2015, Photogram-Sepia Toned Gelatin Silver Print, 20 in x 16 in, $1800
Ron Saunders, Hands of The Ancestors, 2015, Archival pigment print, 24 in x 20 in, $1800
Malik Seneferu, MalikSArt3, 2021, Acrylic on canvas, 36 in x 36 in, $1500 (for licensing)
Malik Seneferu, On The Move, 2016, Acrylic on canvas, 36 in x 48 in, $1500 (for licensing)
Claudio Talavera-Ballon, El Escribidor, 2018, Oil on canvas, 28 in x 22 in, $2000
Claudio Talavera-Ballon, Kitzia, La Visionaria (The Visionary), 2018, Oil on canvas, 32 in x 41.5 in, $1500
Nga Trinh, Hang In The Balance, 2018, Origami, 40 in x 32 in, $4000
Nga Trinh, Butterflies' Flowers, 2017, Origami, 40 in x 32 in, $4000
Ira Watkins, Animals on the Move, 1998, Acrylic on canvas, 48 in x 48 in, $4000
Ira Watkins, The Shipyard (Repairing Ships), 1999, Pastel on paper, 24 in x 36 in, $1200
Ira Watkins, The In Crowd, 2000, Acrylic on wood cutout, 40 in x 48 in, $3000
10. 2021 Art on Market Street Poster Series
Action
Staff Presenter: Craig Corpora
Explanatory Document: Images for final poster designs
Presentation Time: Approximately 5 minutes
Presentation of the final design by Skywatchers for the 2021 Art on Market Street Kiosk Poster Series.
Discussion and Possible Action: to approve the 12 final designs by Skywatchers for the 2021 Art on Market Street Kiosk Poster Series.
11. San Francisco International Airport: C3C Secure Connector
Action
Staff Presenter: Aleta Lee
Explanatory Document: Construction Document Phase Deliverables
Presentation Time: Approximately 5 minutes
Presentation of Construction Document Phase deliverables by Carter-Lynch (Carter-Lynch LLC) for the SFO C3C Secure Connector Wall.
Discussion and Possible action: to approve the Construction Document Phase deliverables (Artwork Mock-up and Structural Engineering Drawings) by Carter-Lynch (Carter-Lynch LLC) for the SFO C3C Secure Connector Wall.
12. Potrero Gateway Park
Action
Staff Presenter: Zoë Taleporos
Explanatory Documents: Architectural Renderings; Recommended Proposal
Presentation Time: Approximately 10 minutes
Presentation of the artist and proposal for the Potrero Gateway Park Public Art Project, as recommended by the artist review panel.
Discussion and Possible action: to approve artist (name to be provided at meeting) and proposal for the Potrero Gateway Park Public Art Project, as recommended by the artist review panel.
Discussion and Possible action: to authorize the Director of Cultural Affairs to enter into contract with artist (name to be provided at meeting) for an amount not to exceed $217,000 for design, fabrication, transportation and installation of an artwork at Potrero Gateway Park.
13. New Business and Announcements
(This item is to allow the Commissioners to introduce new agenda items for consideration, to report on recent arts activities and to make announcements.)
14. Adjournment
Action
TP 6/11/2021 4:08pm
Item 9 Ex Doc Description updated 6/11/2021 5:07pm
Notices
The San Francisco Arts Commission Visual Arts Committee Meeting will be held virtually due to public health emergency.
Agenda Item Information / Materials Available
Each item on the agenda may include the following documents:
1) Department or Agency or report;
2) Public correspondence;
3) Other explanatory documents.
During the pendency of the closure of the Commission’s offices during the COVID-19 Shelter-in-Place Order and related disruptions to on-site business processes, explanatory documents listed above, as well as documents created or distributed after the posting of this agenda to the Arts Commission will be available only electronically, please contact: Program Associate Tara Peterson at tara.peterson@sfgov.org or 415-252-2219. PLEASE NOTE: The Arts Commission often receives documents created or submitted by other City officials, agencies or departments after the posting of the Arts Commission agenda. For such documents or presentations, members of the public may wish to contact the originating agency if they seek documents not yet provided to the Arts Commission.
Meeting Procedures
1. Agenda items will normally be heard in order. Please note, that on occasion a special circumstance may necessitate that an agenda item be taken out of order. To ensure that an agenda item is not missed, it is advised to arrive at the beginning of the meeting. All agenda changes will be announced by the Chair at the top of the meeting.
2. Public comment will be taken before or during the Committee’s consideration of each agenda item. Each speaker will be allowed to speak for the time allotted by the Chair at the top of the meeting or up to 3 minutes.
3. During General Public Comment, members of the public may address the Commissioners on matters that are within the Arts Commission’s jurisdiction and are not on the agenda.
4. Any person speaking during a public comment period may supply a brief written summary of their comments, which shall, if no more than 150 words, be included in the official file. Written comments pertaining to this meeting should be submitted to Tara Peterson at tara.peterson@sfgov.org.
Electronic Devices Prohibited
The ringing of and use of cell phones, pagers, and similar sound-producing electronic devices are prohibited at this meeting, except as necessary to participate remotely. The Chair may order the exclusion from participation of any person responsible for improper disruptions to this remote meeting.
Disability Access
To obtain a disability‐related modification or accommodation, including auxiliary aids or services, to participate in the meeting, please contact Tara Peterson at tara.peterson@sfgov.org or 415-252-2219, at least 48 hours before the meeting, except for Monday meetings, for which the deadline is 4:00 p.m. the previous Friday.
Archives Available
A recording of this meeting will be available online after the meeting at the following address: https://sfgov.org/arts/node/708.
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KNOW YOUR RIGHTS UNDER THE SUNSHINE ORDINANCE
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Citizens interested in obtaining a free copy of the Sunshine Ordinance can request a copy from by printing Chapter 67 of the San Francisco Administrative Code on the Internet, http://www.sfgov.org/sunshine/
Accessibility Meeting Policy
Per the American Disabilities Act and the Language Access Ordinance, Chinese, Spanish, and/or American Sign Language interpreters will be available upon request. Additionally, every effort will be made to provide a sound enhancement system, meeting materials in alternative formats, and/or a reader. Minutes may be translated after they have been adopted by the Commission. For all these requests, please contact Program Associate, Tara Peterson at least 48 hours before the meeting at 415-252-2219. Late requests will be honored if possible. The hearing room is wheelchair accessible.
利便参與會議的相關規定
根據美國殘疾人士法案和語言服務條例,中文、西班牙語、和/或美國手語翻譯人員在收到要求後將會提供翻譯服務。另外,我們將盡力提供擴音設備。同時也將會提供不同格式的會議資料, 和/或者提供閱讀器。此外,翻譯版本的會議記錄可在委員會通過後提供。上述的要求,請於會議前最少48小時致電415-252-2219向Tara Peterson 提出。逾期提出的請求,若可能的話,亦會被考慮接納。聽證室設有輪椅通道。
POLITICA DE ACCESO A LA REUNIÓN
De acuerdo con la Ley sobre Estadounidenses con Discapacidades (American Disabilities Act) y la Ordenanza de Acceso a Idiomas (Language Access Ordinance) intérpretes de chino, español, y lenguaje de señas estarán disponibles de ser requeridos. En adición, se hará todo el esfuerzo posible para proveer un sistema mejoramiento de sonido, materiales de la reunión en formatos alternativos, y/o proveer un leedor. Las minutas podrán ser traducidas luego de ser aprobadas por la Comisión. Para solicitar estos servicios, favor contactar a Program Associate, Tara Peterson, por lo menos 48 horas antes de la reunión al 415-252-2219. Las solicitudes tardías serán consideradas de ser posible. La sala de audiencia es accesible a silla de ruedas.
PATAKARAN PARA SA PAG-ACCESS NG MGA MITING
Ayon sa batas ng American Disabilities Act at ng Language Access Ordinance, maaring mag-request ng mga tagapagsalin wika sa salitang Tsino, Espanyol at/o sa may kapansanan pandinig sa American Sign Language. Bukod pa dito, sisikapin gawan ng paraan na makapaglaan ng gamit upang lalong pabutihin ang inyong pakikinig, maibahagi ang mga kaganapan ng miting sa iba't ibang anyo, at/o isang tagapagbasa. Ang mga kaganapan ng miting ay maaring isalin sa ibang wika matapos ito ay aprobahan ng komisyon. Sa mga ganitong uri ng kahilingan, mangyari po lamang makipag ugnayan kay Program Associate, Tara Peterson sa 415-252-2219. Magbigay po lamang ng hindi bababa sa 48 oras na abiso bago ng miting. Kung maari, ang mga late na hiling ay posibleng tanggapin. Ang silid ng pagpupulungan ay accessible sa mga naka wheelchair.