SAN FRANCISCO ARTS COMMISSION
VISUAL ARTS COMMITTEE
Wednesday, April 20, 2016
3 p.m.
401 Van Ness Avenue, Room 125
San Francisco, CA 94102
________________________________________

Agenda

Visual Arts Committee Members:
JD Beltran
Gregory Chew
Dorka Keehn, Chair
Jessica Silverman
Barbara Sklar

1. Call to Order, Roll Call, and Agenda Changes

2. Public Comment
Discussion

3. Consent Calendar
Action
Explanatory Documents: Item #2; Item #3; Item #4-29
Presentation Time: Approximately 2 minutes

1. Motion to approve Laurie Lazer, Co-Founder/Director/Curator, Luggage Store Gallery, as a panelist for public art selection panels for the 2016/17 Fiscal Year.

2. Motion to approve the design of Unicornio de la Mision, a painted mural, by artist Jetro Martinez that will be installed on a wall of the Mission-Bartlett Garage at 3255 21st Street. The mural will be painted on the Northwest corner wall located on 22nd Street, measuring approximately 10 ft. by 12 ft. The project is funded with a Community Challenge Grant and is sponsored by the Mission Community Market; the painted mural will not become part of the Civic Art Collection.

3. Motion to revise the previously approved thematic for the Art on Market St Kiosk Poster Series, 2017 from 24/7 to The Summer of Love: 50th Anniversary.

4. Motion to approve and to accept into the Civic Art Collection, the artwork entitled Revival: Arnica and Angelica; Foxglove and Aconite; Passion Flower and Yarrow; Monkshood and Echinacea; and Passion Flower and Foxglove, 2015 by Nancy Blum. The artwork consists of a curved glass wall (98-2/8 in. by 97-3/8 in.) and four glass light-well walls; west corridor (93-5/8 in. by 297 in., each) and east corridor (93-5/8 in. by 246-1/4 in., each).  All are glass panels with vitreous enamels and sandblasting. The artist’s design depicts various flowering plants traditionally grown or gathered for herbal and medicinal use. The artwork is installed in the General Hospital Acute Care Building, Floor 5, Central Corridor.

5. Motion to approve and to accept into the Civic Art Collection, the artwork entitled Redbud Redux Suite, 2015 by Stephen Galloway. The artwork consists of a curved glass wall (98-2/8 in. by 97-3/8 in.) and two glass light-well walls in the west corridor (93-5/8 in. by 297 in., each).  All are glass panels with a polyester film interlayer. The artist’s design depicts photographs of Western Redbud, a native California shrub. The artwork is installed in the General Hospital Acute Care Building, Floor 4, Central Corridor.

6. Motion to approve and to accept into the Civic Art Collection, the artwork entitled Nature of Medicine, 2015 by Rupert Garcia. The artwork consists of the terrazzo floor design (88 ft. by 52 ft., overall) and two mosaic murals; above reception (190 in. by 359-1/2 in., overall) and above the stairs (252-7/8 in. by 305 in., overall). The artist design depicts a colorful, abstracted flower motif for the lobby floor and mosaic murals. The artwork is installed in the General Hospital Acute Care Building, Main Entrance and Lobby.

7. Motion to approve and to accept into the Civic Art Collection, the multi-part artwork entitled Ethereal Bodies, 2015 by Cliff Garten. The outdoor sculpture is formed of eight vertically aligned 304 stainless steel sculpture elements (which vary in height between 13 and 17 ft., maximum 3 ft. in diameter), each with sequenced LED lighting and the surrounding planted earthwork.   The artwork is located at the General Hospital Acute Care Building, in the entry median.

8. Motion to approve and to accept into the Civic Art Collection, the artwork entitled Forever Yours, 2015 by Mildred Howard. The artwork consists of a curved glass wall (98-2/8 in. by 97-3/8 in.) and two glass light-well walls in the east corridor (93-5/8 in. by 246 in., each).  All are glass panels with vitreous enamels and polyester film interlayer. The artist’s design depicts impressionistic views of springtime poppies and the golden hills of the Bay Area. The artwork is installed in the General Hospital Acute Care Building, Floor 3, Central Corridor.

9. Motion to approve and to accept into the Civic Art Collection, the artwork entitled Quaking Aspens, 2015 by Paul Kos. The artwork consists of a digital video on five flat screen monitors with painted aluminum frames (54 in. by 126 in., overall), embedded in wall. The artist designed the monitor frames to match the other windows in the hospital and the digital video provides a virtual view onto Aspen trees dancing in the wind. The artwork is installed in the General Hospital Acute Care Building, Ground Floor, Surgery Waiting Room.

10. Motion to approve and to accept into the Civic Art Collection, the mosaic artwork entitled Amate, 2015 by Jetro Martinez. The mosaic artwork consists of ceramic tiles and measures 56-1/2 in. by 112 in. The artist’s design depicts a colorful, bird, animal and flower motif inspired by the traditional indigenous Mexican folk art of amate (tree bark paper) paintings. The artwork is installed in the General Hospital Acute Care Building, First Floor, Emergency Entry Wall.

11. Motion to approve and to accept into the Civic Art Collection, the artwork entitled River of Time, 2015 by Alan Masaoka. The artwork consists of a curved glass wall (98-2/8 in. by 97-3/8 in.) and two glass light-well walls in the east corridor (93-5/8 in. by 246 in., each). All are stained glass panels. The artist’s design depicts budding tree branches suspended above a calm river bed in mostly blue hues. The artwork is installed in the General Hospital Acute Care Building, Floor 7, Central Corridor.

12. Motion to approve and to accept into the Civic Art Collection, the artwork entitled Breath Between Sky and Ocean, 2015 by Masayuki Nagase. The outdoor artwork consists of two hand carved granite boulders (4 ft. by 4 ft. by 4 ft.), five polished and carved granite benches (5 ft. by 6 ft. by 18 in., each) and eight polished and carved pavers (each range 3-4 ft. by 2-3 ft. by 2 in.) All are installed throughout the garden, connected by arcing paths in concrete aggregate. The artist’s design depicts series of ripples carved into the boulders to express themes of water and wind and the design on the stone pavers have polished surfaces and carved cloud like forms. The artwork is located at the General Hospital Acute Care Building, Floor 7, Roof Garden.

13. Motion to approve and to accept into the Civic Art Collection, the artwork entitled Happy Hearts/Broken Hearts, 2015 by Tom Otterness. The outdoor artwork consists of eight figurative bronze sculptures: Mother with Children with Hearts (98 in. by 92 in. by 59 in.); Wheelchair Heart (21 in. by 17 in. by 24 in.); Doctor Heart and Patient Heart (24 in. by 42 in. by 12 in.); Daddy Heart with Child (5 in. by 10 in. by 12 in.); Sunbathing Heart with Shoes (5 in. by 10 in. by 12 in.); Cellphone Heart (24 in. by 17 in. by 12 in.); Small Heart Walking (14 in. by 11 in. by 6 in.); and Two Small Hearts Sitting (10 in. by 18 in. by 5 in.)  The artist’s design inspired by the General Hospital theme “Heart of the City” depicts a larger entry piece and smaller figures in various patient and visitor scenarios along the pedestrian path. The artworks are located at the General Hospital Acute Care Building, Potrero Street entrance.

14. Motion to approve and to accept into the Civic Art Collection, the artwork entitled The Streets and Hills of San Francisco, 2015 by Arthur Stern. The artwork consists of a two glass light-well walls in the west corridor (93-5/8 in. by 297 in., each).  Both are stained glass panels with aluminum framing. The artist’s traditional stained glass design depicts a colorful patchwork of buildings, parks, streets, clouds. The artwork is installed in the General Hospital Acute Care Building, Floor 6, Central Corridor.

15. Motion to approve and to accept into the Civic Art Collection, the mosaic artwork entitled Tree of Life, 2015 by Lena Wolff. The mosaic artwork consists of ceramic tiles and measures 66 in. by 75 in. The artist’s design combines elements of flora and fauna with insects and animals interacting in a fantastical habitat. The artwork is installed in the General Hospital Acute Care Building, Floor 2.

16. Motion to approve and to accept into the Civic Art Collection, the mosaic artwork entitled Quail and Monkey Branch, 2015 by Lena Wolff. The mosaic artwork consists of ceramic tiles and measures 66 in. by 113 in. The artist’s design combines elements of flora and fauna with insects and animals interacting in a fantastical habitat. The artwork is installed in the General Hospital Acute Care Building, Floor 2.

17. Motion to approve and to accept into the Civic Art Collection, the mosaic artwork entitled Circular Path, 2015 by Lena Wolff. The mosaic artwork consists of ceramic tiles and measures 66 in. by 87 in. The artist’s design combines elements of flora and fauna with insects and animals interacting in a fantastical habitat. The artwork is installed in the General Hospital Acute Care Building, Floor 2.

18. Motion to approve and to accept into the Civic Art Collection, the artwork entitled Sky, 2014 by Merge Conceptual Design. The artwork installation is comprised of 26 larger mirror-polished stainless steel spheres with varying diameters of 5 ft., 3 ft. and 2 ft. The spheres are hollow and cut open at various angles and LED lights light up the interior of each sphere. The spheres are suspended from the ceiling and loosely arranged in a field that floats above a larger portion of the central seating area (approximately, 35 ft. x 40 ft.)The artwork is installed at the San Francisco International Airport, Terminal 3, Boarding Area E, Gate 65.

19. Motion to approve and to accept into the Civic Art Collection, the artwork entitled Spirogyrate, 2014 by Eric Staller. The artwork installation is comprised of twelve spinning illuminated glass art discs (66 in. diameter, each) with graphic spiral patterns and LED lighting, with motion sensors; nine disks below raised floor and three disks at furred wall. The discs change and respond to people’s movement through the space.The artwork is installed at the San Francisco International Airport, Terminal 3, Boarding Area E, Children’s Area.

20. Motion to approve and to accept into the Civic Art Collection, the artwork entitled Ocean Voices II, 2013 by Ursula von Rydingsvard. The sculpture consists of cedar and graphite and measures 121 in. by 57 in. by 65 in.  The artist carved and chipped at stacked cedar 4-by-4 planks of varying lengths, creating the monumental and textured faceted surface. The artwork was purchased for and installed at the San Francisco International Airport, Terminal 3 East, Post-Security E-Plaza.

21. Motion to approve and to accept into the Civic Art Collection, the artwork entitled Voyage, 2014 by Val Britton. The artwork is comprised of fifteen laminated glass panels (113 in. by 44 in., each) with melting ceramic pigments, lacquer and graphite with overall dimensions of 9-1/2 ft. by 55 ft. The artist’s design draws on the language of maps, plans, weather patterns and flight routes to depict an imaginary panoramic space. The artwork is installed at the San Francisco International Airport, Non-secure Connector.

22. Motion to approve as installed, the sculpture High Heels for Going to Heaven, 2013 by Yayoi Kusama at San Francisco International Airport, Terminal 1, Secure Connector, Arrivals, Post-Security.

23. Motion to approve and to accept into the Civic Art Collection, the artwork entitled High Heels for Going to Heaven, 2013 by Yayoi Kusama. The sculpture is comprised of a pair of white high-heeled shoes that sprout monumentally scaled flowers with large red polka dots; the left shoe (61 in. by 29-1/2in. by37-3/8) and the right shoe (49-5/8 in. by 27-1/2 in. by 37-7/8 in.) The center of each flower is rendered in stainless steel and forms a curved reflective “eye” mirroring its surroundings. The artwork was purchased for and installed at the San Francisco International Airport, Terminal 1, Secure Connector, Arrivals, Post-Security.

24. Motion to approve and to accept into the Civic Art Collection, the mosaic artwork entitled Riven/River, 2014 by Jim Melchert. The mosaic artwork consists of gray porcelain ceramic tile, with red and blue glazes and measures 71 in. by 166 in. The artist’s abstract design is comprised of two rectangular color fields of complex cracks and fissures with an energetic blue line that spans the length of the piece. The artwork is installed at the San Francisco International Airport, Terminal 1, Secure Connector, Arrivals, Post-Security.

25. Motion to approve and to accept into the Civic Art Collection, the mosaic artwork entitled Untitled (Large Variation), 2015 by Amy Ellingson. The mosaic artwork consists of ceramic tile, along a curved wall, measuring 10 ft. by 109 ft. The artist’s abstract design suggests movement and transformation through color, geometry, repetition, scale and spatial illusion. The artwork is installed at the San Francisco International Airport, Terminal 3 East, Concourse, Post-Security.

26. Motion to approve and to accept into the Civic Art Collection, a photographic series of artwork entitled Everywhere All at Once, 2012-2014 by Vanessa Marsh. The series is comprised of six black-and-white photographic, pigment prints on archival paper (35 in. by 35 in., each) installed in the following order: Landscape #18, 2014; Landscape #1, 2012; Landscape #9, 2012; Landscape #19, 2013; Landscape #5, 2012; and Landscape #17, 2014. The artist’s photogram images create mysterious nightscapes which include shadowed imagery of celestial skies, power lines, Ferris wheel and palm trees. The artwork was purchased for and installed at the San Francisco International Airport, Terminal 3, Gate 71B.

27.Motion to approve and to accept into the Civic Art Collection, a series of photographic montages entitled Forever in the Sky, 2013 by Sanaz Mazinani. The series is comprised of six photographic, pigment prints on archival paper (33 in. by 33 in., each) installed in the following order: Bayview; City Hall; Golden Gate; Mission; Richmond; and Sutro Tower. The photographic montages contain imagery of clouds intermingled with iconic San Francisco landmarks, infused with Persian motifs to make complex geometrical abstractions. The artwork was purchased for and installed at the San Francisco International Airport, Terminal 3, Gate 71A.

28. Motion to approve and to accept into the Civic Art Collection, a series of digital prints entitled Strangerhood, 2014 by Lordy Rodriguez. The series is comprised of six digital prints on aluminum (45 in. x 31-1/2 in., each) and installed in the following order: Castro; Chinatown; Fishermans Wharf; Haight-Ashbury; Mission; and North Beach. The artist’s designs are drawn maps depicting six iconic San Francisco neighborhoods reimagined as independent countries.  The digitally reproduced artworks (originally an Art on Market Poster Series, Strangerhood, 2013) were purchased for and installed at the San Francisco International Airport, Terminal 3 East, Baggage Claim.

29. Motion to approve and to accept into the Civic Art Collection, the artwork entitled Repeat Melody, 2015 by Julio Cesar Morales. The artwork consists of a curved glass wall (98-7/8 in. by 97-3/8 in.) and two glass light-well walls in the east corridor (93-5/8 in. by 246 in., each). All are glass panels with vitreous enamels. The artist’s design depicts drawn figurative imagery, inspired from photographs taken during interviews he conducted with patients, visitors and hospital staff. The artwork is installed in the General Hospital Acute Care Building, Floor 6, Central Corridor.

Motion: Motion to approve consent calendar items.

4. Chain Reaction in the Main Gallery
Meg Shiffler, Jackie Im
Action
Explanatory Document: Presentation
Presentation Time: Approximately 5 minutes

Presentation of the next exhibition, Chain Reaction, June 10 through October 15, 2016 at the Main Gallery.

Motion: Motion to approve an honorarium payment in the amount of $400 to each of the following artists for their participation in the SFAC Galleries exhibition Chain Reaction, June 10 through October 15, 2016: Binta Ayofemi; David Bayus; Craig Calderwood; Jean Conner; Francesco Igory Deiana; Bruno Fazzolari; James Gobel; Nicki Green; Chad Hasegawa; Tareneh Hemami; Jonn Herschend; Julz Hale Mary; Anne McGuire; Omar Mismar; Justine Rivas; Brion Nuda Rosch; Wayne Smith; Lauren Strom-Berg; Catherine Wagner; Lindsey White; and May Wilson.

5. Coit Tower Murals – Memorial Plaque Request
Susan Pontious, Allison Cummings
Action
Explanatory Documents: Staff Report; Mural Image; Rebuttal; Rebuttal 2
Presentation Time: 5 minutes

Presentation of proposal to place a memorial plaque honoring Russell Edward Lessig on Ray Boynton’s fresco mural Animal Force and Machine Force, located at Coit Tower.

Motion: Motion to decline request to place a memorial plaque directly on Ray Boynton’s fresco mural Animal Force and Machine Force as its placement would be a permanent alteration of the existing form, integrity and materials of an historic property and is prohibited by the Secretary of the Interior’s Standards for Preservation of Historic Properties.

6. Noe Valley Town Square
Mary Chou with Wowhaus
Action
Explanatory Document: Conceptual Designs
Presentation Time: Approximately 10 minutes 

Presentation of the Conceptual Design Deliverables by the artist team Wowhaus for the new Noe Valley Town Square.

Motion: Motion to approve the Conceptual Design, description TBD at meeting, by the artist team Wowhaus for the new Noe Valley Town Square.

7. Broadway Chinatown Streetscape
Marcus Davies
Action
Explanatory Document: Shop Drawings
Presentation Time: Approximately 5 Minutes

Presentation of construction documents for the Broadway Chinatown Streetscape Art Enrichment Project.

Motion: Motion to approve the Construction Document Phase deliverables by Michael Arcega for the Broadway Chinatown Streetscape Art Enrichment Project.

8. San Francisco International Airport: Phase 1 Building of the Consolidated
Adminstrative Campus
Jennifer Lovvorn
Action
Explanatory Document: Project Outline
Presentation Time: 10 minutes

Presentation of the project outline for the Consolidated Administrative Complex at San Francisco International Airport.

Motion: Motion to approve the public art project outline for the Phase 1 Building of the Consolidated Administrative Campus ("CAC") at the San Francisco International Airport;  the Phase I Project Outline is further development of the previously approved Art Plan for the CAC.

9. The Randall Museum – Ben Trautman
Justine Topfer
Action
Explanatory Documents: Final Design narrative, images and Structural Engineering Documents
Presentation Time: Approximately 10 minutes

Presentation of Ben Trautman’s final design for the Randall Museum Redesign project.

Motion: Motion to approve the Final Design and Construction Document Phase deliverables by Ben Trautman for the Randall Museum Redesign project.

10. Civic Art Collection: Recent Conservation Projects
Jennifer Correia

A. Recent Vandalism Abatement
Staff Report
Explanatory Documents: Images (before and after treatment)
Presentation Time: Approximately 5 minutes

Presentation of two recently completed conservation projects:  Ashurbanipal, 1987 by Fred Parhad (SFAC Accession No. 1988.11); and Native Sons (Admission Day Monument), 1897 by Douglas Tilden (SFAC Accession No. 1897.1)

B. Repair Design  – Raizes/Roots at Coronado Playground
Action
Explanatory Documents: Rendering of the Artists' proposed design
Presentation Time: Approximately 5 minutes

Presentation of the proposed design to mitigate an alteration to the mosaic mural artwork, Raizes/Roots, 2000 by Eduardo Pineda and Ray Patlán at Jose Coronado Playground.

Motion: Motion to approve the proposed design as an alteration of the original mosaic artwork, Raizes/Roots, 2000 by Eduardo Pineda and Ray Patlán (SFAC Accession No. 2000.4) located on the façade of Jose Coronado Playground Clubhouse at Folsom and 21st Streets, in order to proceed with repair of the damaged mural.

11. New Business, Old Business, and Announcements
Discussion

12. Adjournment
Action

JDC 4/15/16
JDC 4/18/16: Explanatory document added to Item 5.
 

Notices

Agenda Item Information

Each item on the agenda may include the following documents:

1) Department or Agency or report;

2) Public correspondence;

3) Other explanatory documents.

These items will be available for review at the meeting. Copies are available upon request. Please contact Program Associate Jenn Doyle Crane at jennifer.crane@sfgov.org or 415-252-2224 for more information.  

Meeting Procedures

1. Agenda items will be heard in order. Please note, that on occasion a special circumstance may necessitate that an agenda item be taken out of order. To ensure that an agenda item is not missed, it is advised to arrive at the beginning of the meeting. All agenda changes will be announced by the Chair at the top of the meeting.

2. Public comment will be taken before or during the Committee’s consideration of each agenda item. Each speaker will be allowed to speak for the time allotted by the Chair at the top of the meeting or up to 3 minutes.  During General Public Comment, members of the public may address the Commissioners on matters that are within the Arts Commission’s jurisdiction and are not on the agenda. Any person speaking during a public comment period may supply a brief written summary of their comments, which shall, if no more than 150 words, be included in the official file.

Explanatory documents listed above, as well as documents created or distributed after the posting of this agenda to the Arts Commission will be available for public inspection and copying at the Arts Commission office, 401 Van Ness Avenue, Room 325, San Francisco, CA 94102, during regular business hours. Info: Jenn Doyle Crane at jennifer.crane@sfgov.org or 415-252-2224. PLEASE NOTE: The Arts Commission often receives documents created or submitted by other City officials, agencies or departments after the posting of the Arts Commission agenda. For such documents or presentations, members of the public may wish to contact the originating agency if they seek documents not yet provided to the Arts Commission.

Public comment in regard to specific items will be taken before or during consideration of the item.

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To obtain a disability‐related modification or accommodation, including auxiliary aids or services, to participate in the meeting, please contact Jenn Doyle Crane at jennifer.crane@sfgov.org or 415-252-2224, at least 48 hours before the meeting, except for Monday meetings, for which the deadline is 4:00 p.m. the previous Friday.

If persons who are unable to attend the public meeting or hearing may submit to the City, by the time the proceeding begins, written comments regarding the subject of the meeting or hearing, and these comments will be made a part of the official public record, and the comments will be brought to the attention of the person or persons conducting the public meeting or hearing. Written comments pertaining to this meeting should be submitted to Jenn Doyle Crane at jennifer.crane@sfgov.org or 415-252-2224, at least 24 hours before the meeting, except for Monday meetings, for which the deadline is 4:00 p.m. the previous Friday.

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KNOW YOUR RIGHTS UNDER THE SUNSHINE ORDINANCE

Government’s duty is to serve the public, reaching its decision in full view of the public. Commissions, boards, councils and other agencies of the City and County exist to conduct the people’s business. This ordinance assures that deliberations are conducted before the people and that City operations are open to the people’s review. For more information on your rights under the Sunshine Ordinance or to report a violation of the ordinance, contact by mail to Administrator, Sunshine Ordinance Task Force, 1 Dr. Carlton B. Goodlett Place, Room 244, San Francisco CA 94102-4689; by phone at 415-554 7724; by fax at 415-554 7854; or by email at sotf@sfgov.org.

Citizens interested in obtaining a free copy of the Sunshine Ordinance by printing Chapter 67 of the San Francisco Administrative Code on the Internet, http://www.sfgov.org/sunshine/

ACCESSIBLE MEETING POLICY

Per the American Disabilities Act and the Language Access Ordinance, Chinese, Spanish, and/or American Sign Language interpreters will be available upon request. Additionally, every effort will be made to provide a sound enhancement system, meeting materials in alternative formats, and/or a reader. Minutes may be translated after they have been adopted by the Commission. For all these requests, please contact Program Associate, Jenn Doyle Crane at jennifer.crane@sfgov.org or 415-252-2224. Late requests will be honored if possible. The hearing room is wheelchair accessible.

利便参與會議的相關規定

根據美國殘疾人士法案和語言服務條例，中文、西班牙語、和/或美國手語翻譯人員在收到要求後將會提供翻譯服務。另外，我們將盡力提供擴音設備。同時也將會提供不同格式的會議資料， 和/或者提供閱讀器。此外，翻譯版本的會議記錄可在委員會通過後提供。上述的要求，請於會議前最少48小時致電415-252-2224向Jenn Doyle Crane 提出。逾期提出的請求，若可能的話，亦會被考慮接納。聽證室設有輪椅通道。

POLITICA DE ACCESO A LA REUNIÓN

De acuerdo con la Ley sobre Estadounidenses con Discapacidades (American Disabilities Act) y la Ordenanza de Acceso a Idiomas (Language Access Ordinance) intérpretes de chino, español, y lenguaje de señas estarán disponibles de ser requeridos. En adición, se hará todo el esfuerzo posible para proveer un sistema mejoramiento de sonido, materiales de la reunión en formatos alternativos, y/o proveer un leedor. Las minutas podrán ser traducidas luego de ser aprobadas por la Comisión. Para solicitar estos servicios, favor contactar a Program Associate, Jenn Doyle Crane, por lo menos 48 horas antes de la reunión al 415-252-2224. Las solicitudes tardías serán consideradas de ser posible. La sala de audiencia es accesible a silla de ruedas. 

Patakaran para sa pag-access ng mga Miting

Ayon sa batas ng American Disabilities Act at ng Language Access Ordinance, maaring mag-request ng  mga tagapagsalin wika sa salitang Tsino, Espanyol at/o sa may kapansanan pandinig  sa American Sign Language. Bukod pa dito, sisikapin gawan ng paraan na makapaglaan ng gamit upang lalong pabutihin ang inyong pakikinig,  maibahagi ang mga kaganapan ng miting sa iba't ibang anyo, at/o isang tagapagbasa. Ang mga kaganapan ng miting ay maaring isalin sa ibang wika matapos ito ay aprobahan ng komisyon. Sa mga ganitong uri ng kahilingan, mangyari po lamang makipag ugnayan kay Program Associate, Jenn Doyle Crane sa 415-252-2224. Magbigay po lamang ng hindi bababa sa 48 oras na abiso bago ng  miting. Kung maari, ang mga late na hiling ay posibleng tanggapin. Ang silid ng pagpupulungan ay accessible sa mga naka wheelchair.