JD Beltran, President

Dorka Keehn, Chair

Abby Sadin Schnair

Jessica Silverman

Barbara Sklar 

 

 

 

Explanatory Documents: Item #1; Item #3; Item #5; Item #6; Item #7

Presentation Time: Approximately 2 minutes

 

1. Motion to approve and to accept into the Civic Art Collection the artwork entitled Everywhere a Color, 2018, by Leah Rosenberg. The painted wall artwork is made of colorful strips that correspond to a landmark, moment, or object that is unique to San Francisco. The artwork consists of painted wood, aluminum, and acrylic, and measures approximately 20 ft. by 27 ft. by 2-3/4 in. The artwork was commissioned for and is located at the San Francisco International Airport: International Terminal, Boarding Area G, Gate Room 96. 

 

2. Motion to approve the following arts professionals as panelists for public art selection panels for the 2018-19 and 2019-20 Fiscal Years:

 

Shalini Agrawal, Director, Center for Art and Public Life, California College of the Arts ("CCA")

Indira Allegra, artist and independent curator 

Regina Almaguer, Art consultant 

Michael Arcega, Artist 

Miguel Arzabe, Artist 

Lucinda Barnes, Art consultant

Michael Bartalos, Artist

Joseph Becker, Assistant Curator of Architecture and Design, San Francisco Museum of Modern Art (“SFMOMA”)

Dena Beard, Executive Director, The Lab

Elisheva Biernoff, Artist

Janet Bishop, Weisel Family Curator of Painting and Sculpture, SFMOMA

Terry Berlier, Artist and Associate Professor, Stanford University

Megan Brian, Assistant Director, SFMOMA

Demetri Broxton, Director of Education, Museum of the African Diaspora

Cath Brunner, Public Art Program Director, 4Culture

Timothy Burgard, Curator-in-Charge of American Art, Fine Arts Museums of San Francisco (“FAMSF”)

Enrique Chagoya, Artist and Full Professor, Department of Art and Art History, Stanford University

Patricia Cariño Valdez, Curator and Director of Public Programs, San Jose Institute of Contemporary Art

Jonathan Calm Calm, Artist and Assistant Professor, Art Practice, Stanford University

Michele Carlson, Associate Professor in Visual and Critical Studies / Executive Director, CCA / Daily Serving and Art Practical

Deena Chalabi, Associate Curator of Public Practice, SFMOMA

Abby Chen, Curator and Artistic Director, Chinese Culture Center

Kevin Chen, Artist and Artist Studio Residency Program and Public Programs Manager, de Young Museum

Sarah Cifarelli, Airport Art Manager, Los Angeles World Airports

René de Guzman, Senior Curator of Art, Oakland Museum of California

Carlos de Villasante, Associate Professor of Studio Art—Painting, Sonoma State University

Joseph del Pesco, International Director, KADIST

Lewis deSoto, Artist and Professor of Art, San Francisco State University

Apsara DiQuinzio, Curator of Modern and Contemporary Art and Phyllis C. Wattis MATRIX Curator, Berkeley Art Museum and Pacific Film Archive (“BAMPFA”)

Jennifer Dunlop Fletcher, Helen Hilton Raiser Curator of Architecture and Design, SFMOMA

Jennifer Easton, Art Program Manager, Bay Area Rapid Transit (“BART”)

Amy Ellingson, Artist

Maya Emsden, Deputy Executive Officer, Creative Services, Los Angeles County Metropolitan Transportation Authority

Jacqueline Francis, Chair, Visual and Critical Studies, CCA

Bernadette Jiyong Frank, Artist 

Helene Fried, Principal, Helene Fried Associates 

Christian Frock, Independent curator

Stephen Galloway, Artist 

Rupert Garcia, Artist 

Gary Garrles, Elise S. Haas Senior Curator of Painting and Sculpture, SFMOMA

Arianne Gelardin, Curator, StoreFrontLab & Parlor

Jeanne Gerrity, Head of Operations and Publications, CCA Wattis Institute for Contemporary Arts

Jenny Gheith, Assistant Curator of Painting and Sculpture, SFMOMA

Barbara Goldstein, Principal at Barbara Goldstein & Associates, Creative Placemaking and Public Art Planning

Barbara Goldstein, Independent curator and public art administrator

Donna Graves, Consultant, Arts & Cultural Planning

Susan Gray, Creative Services Manager, Los Angeles County Metropolitan Transportation Authority

Melonie Green, Co-Director, African American Art and Culture Complex

Melorra Green, Co-Director, African American Art and Culture Complex

Stephanie Hanor, Director, Mills College Art Museum

Glen Helfand, Independent writer, critic, curator, and educator

Dana Hemenway, Artist

Angela Hennesy, Artist and Associate Professor of Fine Arts, CCA

Kendal Henry, Artist and Public Art Consultant in Residence, Maribyrnong City Council

Betti-Sue Hertz, Independent curator

Katie Hood Morgan, Assistant Curator and Exhibitions Manager, SFAI Walter and McBean Galleries

Justin Hoover, Artist and Creative Director, Fort Mason Center for Arts and Culture

Anthony Huberman, Director and Chief Curator, CCA Wattis Institute for Contemporary Arts

Steven Huss, Public Art Manager, City of Walnut Creek Arts and Recreation

Valerie Imus, Exhibitions and Projects Programs Director, Southern Exposure

Jamillah James, Jamillah James, Curator, Institute of Contemporary Art, Los Angeles

Maria Jenson, Executive Director, SOMArts Cultural Center

Chris Johnson, Artist and Professor of Photography and Fine Art, CCA

Mark Johnson, Director, San Francisco State University Fine Arts Gallery

Stephanie Johnson, Instructor of Sculpture, Installation, Performance Art and Public Art, California State University, Monterey Bay—Visual and Public Arts Institute

Eungie Joo, Curator of Contemporary Art, SFMOMA

Ned Kahn, Artist

Pauline Kanako Kamiyama, Senior Project Manager, Los Angeles Arts Commission

Susie Kantor, Curatorial Associate, Yerba Buena Center for the Arts (“YBCA”)

Brian Karl, Art Practical

Aimee Le Duc, Independent Curator

Carrie Lederer, Artist and Curator of Exhibitions and Programs, Bedford Gallery

Lizzetta LeFalle-Collins, Manager, Visual Arts Program, Museum of African Diaspora

Lex Leifheit, Nonprofit Business Development Manager, City and County of San Francisco

Constance Lewallen, Adjunct Curator, BAMPFA

Nancy Lim, Assistant Curator, SFMOMA

Christina Linden, Assistant Curator of Painting and Sculpture, Oakland Museum of California

Hung Liu, Artist

Lauren Lockhart, Arts Program Manager, San Diego County Regional Airport Authority

Linda Lucero, Executive/Artistic Director, YBCA

Ajuan M Mance, Professor of English, Mills College

Michelle Mansour, Director, Root Division

Rhiannon MacFadyen, Independent curator

Sharon Maidenberg, Executive Director, Headlands Center for the Arts

Patricia Maloney, Executive Director, Southern Exposure

Karen Mar, Architect, YAMAMAR

Jet Martinez, Artist

Marc Mayer, Senior Educator of Contemporary Art, Asian Art Museum

Marina McDougall, Director, Center for Art & Inquiry, Exploratorium

Hesse McGraw, Vice President for Exhibitions and Public Programs, San Francisco Art Institute (“SFAI”)

Katya Min, Curator of Public Programs, YBCA

Judy Moran, Art consultant

Ceci Moss, Assistant Curator of Visual Arts, YBCA

Liz Ogbu, Independent consultant and Lecturer, University of California, Berkeley

Ellen Oh, Program Administrator, Institute for Diversity in the Arts at Stanford University

Amy Owen, Curator, di Rosa Center for Contemporary Art

Marc Pally, Public Art Curator and Artistic Director, Glow

Matthew Passmore, Artist

Renny Pritikin, Chief Curator, Contemporary Jewish Museum

Diana Pumpelly Bates, Artist

Mónica Ramírez-Montagut, Museum Director, Newcomb Art Museum of Tulane University

Amy Ress, Director, Resilient By Design Challenge

Jerome Reyes, Artist

Ani Rivera, Executive Director, Galeria de la Raza

Lawrence Rinder, Director, BAMPFA

Jennie Emiré Rodríguez, Executive Director, Mission Cultural Center for Latino Arts

Mary Rubin, Project Manager, City of San Jose

Anastasia Rygle, Associate Curator, Contemporary Jewish Museum

Lucía Sanroman, Director of Visual Arts, YBCA

Dorothy Santos, Independent writer, editor and curator

Norie Sato, Artist

Ron Moultrie Saunders, Artist

Karen Seneferu, Professor, artist and curator

Richard Shaw, Artist

Heather Snider, Executive Director, SF Camerawork

Soleil Summer, Exhibitions Associate, Museum of African Diaspora

Stephanie Syjuco, Artist

Weston Teruya, Artist

Karen Tsujimoto, Curator, Contemporary Jewish Museum

Sean Uyehara, Director of Programs, Headlands Center for the Arts

Po Shu Wang, Artist

Nate Watson, Artist and Executive Director, Public Glass

Patricia Watts, Founder/West Coast Curator, ecoartspace

Shelly Willis, Public Art Project Manager and Planning Consultant

Dominic Willsdon, Leanne and George Roberts Curator of Education and Public Programs, SFMOMA

Tracy Wheeler, Co-Founder, Satellite Of. Love

Jenifer Wofford, Artist 

Nicholas Wylie, Development Manager, Southern Exposure

Anuradha Vikram, Artistic Director, 18th Street Arts Center

Tanya Zimbardo, Assistant Curator of Media Arts, SFMOMA

 

3. Motion to approve the mural design of Ocean Ave North and South by artist Amos Goldbaum. The painted mural will be installed on an exterior wall at 1315 Ocean Avenue and will measure approximately 30 ft. by 12 ft. The project is funded by the SF Shines Façade Improvement Grant, and is sponsored by the Office of Economic and Workforce Development, SF Shines; the painted mural will not become part of the Civic Art Collection.

 

4. Motion to rescind RESOLUTION NO. 0305-18-080, which authorized the Director of Cultural Affairs to enter into contract with The Pace Gallery LLC for an amount not to exceed $600,000 for design, fabrication, transportation, and installation consultation of the sculpture for the San Francisco International Airport: Grand Hyatt Hotel Outdoor Sculpture project, entitled Ether, proposed by Kohei Nawa.

 

5. Motion to authorize the Director of Cultural Affairs to enter into contract with The Pace Gallery LLC for an amount not to exceed $650,000 for design, fabrication, transportation, and installation consultation of the sculpture for the San Francisco International Airport: Grand Hyatt Hotel Outdoor Sculpture project, entitled Ether, proposed by Kohei Nawa.

 

6. Motion to authorize the Director of Cultural Affairs to enter into contract with artist Tahiti Pehrson for an amount not to exceed $165,000 for design, fabrication, transportation and installation consultation for the San Francisco International Airport: Grand Hyatt Hotel Fourth Floor Reception Suspended Artwork project. 

 

7. Motion to approve the mural design of Untitled (title to be determined) by artist Buckley. The painted mural will be on a temporary construction wall at 1125 Market Street, between 7th and 8th Streets, measuring approximately 10 ft. by 75 ft. This temporary mural project will be installed for two years. The project is funded by contributions from the property owner and SF Shines, and is sponsored by the Office of Economic and Workforce Development; the painted mural will not become part of the Civic Art Collection. 

 

8. Motion to accept into the Civic Art Collection the sculptural installation entitled Diamond Heights Safety Wall, 1968 by Stefan Alexander Novak. The installation is an all redwood timber construction, with posts forming a long rear wall and two smaller side walls; projecting forwards from the rear wall is a tower, with two framed decorative elements; three other smaller sculptural groupings are placed to the front of the wall. The installation is approximately 32 feet tall and 50 feet long, and is located on Diamond Heights Boulevard on Block 7504; Lots 11-15. Commissioned by the San Francisco Redevelopment Agency in 1966, with the final design approved by the San Francisco Arts Commission in 1967 by Resolution No. 9175-1967-S.

 

9. Motion to authorize the Director of Cultural Affairs to enter into contract with the selected fabricator A. Zahner Company for an amount not to exceed $939,000 for the fabrication and transportation of an artwork by artist Norie Sato for the Headworks facility at the Southeast Wastewater Treatment Plant.

                              

Motion: Motion to approve consent calendar items.

 

Explanatory Documents: Image of Sculptures; Letters of Community Support

Presentation Time: Approximately 7 minutes

 

Presentation of temporary sculpture installation, Paparazzi Dogs, to be located in front of 150 Powell Street. 

 

Motion: Motion to approve a temporary sculpture installation, Paparazzi Dogs, by artists Gillie and Marc to be located in front of 150 Powell Street which shall consist of two bronze, life-size dog sculptures which are respectively six and seven feet high. The artworks will be on display July 2018 through February 2019, pending minor encroachment permit approval from San Francisco Public Works.

 

Presentation Time: Approximately 5 minutes

 

Discussion of response by Treasure Island Art Steering Committee to the artwork proposals for Building One Plaza and Waterfront Plaza and recommendation to not execute design contracts and instead engage artists to revise conceptual designs.

 

Motion: Motion to rescind RESOLUTION NO. 0604-18-172 authorizing the Director of Cultural Affairs to enter into a contract with the selected artist Antony Gormley for conceptual design, final design and engineering of an artwork for the Treasure Island Waterfront Plaza Public Art Project in an amount not to exceed $157,350 pending approval of the Treasure Island Development Authority.

 

Motion: Motion to rescind RESOLUTION NO. 0604-18-173 authorizing the Director of Cultural Affairs to enter into a contract with the selected artist Pae White (DBA Pae White Studio, Inc.) for conceptual design, final design and engineering of an artwork for the Treasure Island Building One Public Art Project in an amount not to exceed $99,350 pending approval of the Treasure Island Development Authority.

 

Motion: Motion to rescind RESOLUTION NO. 0604-18-185 authorizing the Director of Cultural Affairs to enter into a contract with the selected artist Hiroshi Sugimoto (DBA Door Four LLC) for design, fabrication, transportation and consultation during installation of an artwork for the Treasure Island Yerba Buena Hilltop Park Public Art Project in an amount not to exceed $1,750,000, pending approval of the Treasure Island Development Authority.

 

Motion: Motion to authorize the Director of Cultural Affairs to enter into an agreement with Antony Gormley for a revised design proposal for the Treasure Island Waterfront Plaza Public Art Project in an amount not to exceed $35,000.

 

Motion: Motion to authorize the Director of Cultural Affairs Arts to enter into an agreement with Pae White (DBA Pae White Studio, Inc.) for a revised design proposal for the Treasure Island Building One Plaza Public Art Project in the amount of $23,500. 

 

Motion: Motion to authorize the Director of Cultural Affairs to enter into a contract with the selected artist Hiroshi Sugimoto (DBA Door Four LLC) for design, fabrication, transportation and consultation during installation of an artwork for the Treasure Island Yerba Buena Hilltop Park Public Art Project in an amount not to exceed $1,750,000, pending approval of the Treasure Island Development Authority and the Federal Aviation Authority.

 

 

Explanatory Documents: PowerPoint Presentation

Presentation Time: Approximately 10 minutes

 

Motion: Motion for the Director of Cultural Affairs to approve artist honoraria for the following artists to develop artwork for the SFAC Galleries exhibition 10,000 Fahrenheit (September 14 – November 17, 2018): Jean-Pierre Aube $400; Sarah Belknap $700; Lisa Blatt $3,200; Linda Connor $2,200; Chris Duncan $1,200; William Lamson $1,300; Chris McCaw $1,600; Antonia Wright $400. 

 

Motion: Motion for the Director of Cultural Affairs to approve an artist honorarium in the amount of $3,500 for Youngsuk Suh for the development of artwork for the SFAC Galleries exhibition Youngsuk Suh: Wildfires (September 14 – November 17, 2018).

 

Presentation Time: Approximately 3 minutes

 

The SFAC Galleries will partner with the GLBT Historical Society to produce an exhibition at City Hall in 2020 celebrating the 50th Anniversary of PRIDE.

 

Explanatory Documents: Panel Summary; Images 

Presentation Time: Approximately 7 minutes

 

Presentation of the selected finalists for the 2019 Art on Market Street Kiosk Poster Series.  

 

Motion: Motion to approve the following finalists for the 2019 Art on Market Street Kiosk Posters Series Artist Selection Panel as recommended by the Artist Selection Panel: Jessalyn Aaland, Lukaza Branfman-Verissimo, Jamil Hellu, Taraneh Hemami, Katherine Rhoades and Miriam Stahl.

 

 

Explanatory Documents: Images  

Presentation Time: Approximately 7 minutes

 

Presentation of artworks for the San Francisco International Airport: Grand Hyatt Hotel Two-Dimensional Artwork Program. 

 

Motion: Motion to approve the purchase of the following artworks for display at the San Francisco International Airport: Hyatt Hotel:

 

Terri Loewenthal, Psychscape 18 (Banner Ridge, CA), 2017, archival pigment print, 42 in. by 56 in. (framed), $10,500;

Richard Misrach, Golden Gate Bridge, 3.4.01, 7:30 pm, 2001, pigment print, 60 in. by 74 in., $50,000;

Richard Misrach, Golden Gate Bridge, 3.02.01, 4:30 am, 2001, pigment print, 60 in. by 74 in., $50,000.

 

Explanatory Documents: Artwork Renderings; Material Samples 

Presentation Time: Approximately 15 minutes

 

Presentation of conceptual design documents for Liz Glynn’s artwork for the San Francisco International Airport: Terminal 1 Center, TSA Security Checkpoint Public Art Project.

 

Motion: Motion to approve the conceptual design documents phase deliverables for Liz Glynn’s artwork, Terra-Techne, for the San Francisco International Airport: Terminal 1 Center, TSA Security Checkpoint Public Art Project.

 

Explanatory Documents: Panel Summary 

Presentation Time: Approximately 5 minutes

 

Presentation of the selected artist and artwork for the San Francisco International Airport: Terminal 1, Boarding Area B, End of Pier Project.

 

Motion: Motion to approve the selected artist Spencer Finch (DBA Spencer Finch Studio) and proposal for San Francisco International Airport: Terminal 1, Boarding Area B, End of Pier suspended sculpture project as recommended by the artist selection panel.

 

Motion: Motion to authorize the Director of Cultural Affairs to enter into contract with Spencer Finch (DBA Spencer Finch Studio) for an amount not to exceed $750,000 for design, fabrication, transportation and installation consultation of an artwork for the San Francisco International Airport: Terminal 1, Boarding Area B, End of Pier Project.

 

Explanatory Documents: Images of Artworks

Presentation Time: Approximately 10 minutes

 

Presentation of the selected artists and additional artworks under consideration for the San Francisco International Airport: Terminal 1, Boarding Area B, Two-Dimensional Artwork Program.

 

Motion: Motion to approve the purchase of the following artworks for display at the San Francisco International Airport: Terminal 1, Boarding Area B:

 

Yorgo Alexopoulos, Split, 2018, Two-channel digital animation on 4K LCD displays with sound; aspect ratio 32:5 (6:40), synchronized media players, 11 minute, 30 second infinite loop, 28 in. by 171 in. by 4 in., $75,000;
John Bankston, Oh?, 2015, oil on linen over birch panel, 40 in. by 30 in., $12,000;
John Bankston, Setting the Scene, 2015, oil on linen over birch panel, 40 in. by 30 in., $12,000;
Tammy Rae Carland, Untitled (On Becoming: Billy + Katie 1964 #1), 1998, Silver gelatin print, (1/5), 24 in. by 20 in., $ 6,000; 
Tammy Rae Carland, Untitled (On Becoming: Billy + Katie 1964 #2), 1998, Silver gelatin print, (1/5), 24 in. by 20 in., $ 6,000;
Tammy Rae Carland, Untitled (On Becoming: Billy + Katie 1964 #3), 1998, Silver gelatin print, (1/5), 24 in. by 20 in., $ 6,000;
Tammy Rae Carland, Untitled (On Becoming: Billy + Katie 1964 #4), 1998, Silver gelatin print, (1/5), 24 in. by 20 in., $ 6,000;
Tammy Rae Carland, Untitled (On Becoming: Billy + Katie 1964 #5), 1998, Silver gelatin print, (1/5), 24 in. by 20 in., $ 6,000;
Tammy Rae Carland, Untitled (On Becoming: Billy + Katie 1964 #6), 1998, Silver gelatin print, (1/5), 24 in. by 20 in., $ 6,000;
Tammy Rae Carland, Untitled (On Becoming: Billy + Katie 1964 #7), 1998, Silver gelatin print, (1/5), 24 in. by 20 in., $ 6,000;
Tammy Rae Carland, Untitled (On Becoming: Billy + Katie 1964 #8), 1998, Silver gelatin print, (1/5), 24 in. by 20 in., $ 6,000;
Chris Johanson, Survival through figurization (white), 2016, acrylic on found wood, 96-1/4 in. by 96-1/4 in., $58,000; 
Alicia McCarthy, Untitled, 2017, spray paint, latex paint, pencil and crayon on wood, 60 in. by 60 in., $17,500; 
Barry McGee, Untitled, 2016, acrylic on panel; 24 elements, 78 in. by 66 in. (overall), $150,000; 
Susan O’Malley, Advice from My 80 Year Old Self, digital print on archival rag paper; Suite of 16 prints, each 21-7/8 in. by 17 in., $32,000;
Hank Willis Thomas, They are Us, Us is Them, 2017, lenticular, 40 in. by 30 in., Edition S4 of 5, with one artist proof, $10,000; 
Hank Willis Thomas, Impossibly, 2013, lenticular, 14-1/4 in. by 43 ins, Edition 5 of 5, with one artist proof, $10,000.

 

Motion: Motion to approve the purchase of the following artwork for display at the San Francisco International Airport: Terminal 1, Boarding Area B, pending inspection:

 

Margaret Kilgallen, Untitled, 1998, Color sugarlift aquatint etching with chine collé, Edition AP10 of 30 with 10 APs, 31 in. x 54 in., $50,000.

 

Motion: Motion to approve the possible purchase of artworks, by the following shortlist of artists for display at the San Francisco International Airport: Terminal 1, Boarding Area B as recommended: Natayla Burd, Binh Dahn, Shaun O’Dell, Fong Chung-Ray and Cornelia Shulz.

 

Explanatory Document: Design Development Renderings

Presentation Time: 5 minutes

 

Presentation of the Design Development Phase deliverables (artwork renderings) by THEVERYMANY for the entry lobby of the SFO Consolidated Administration Campus Building.

 

Motion: Motion to approve the Design Development Phase deliverables (artwork renderings) by THEVERYMANY for the entry lobby of the SFO Consolidated Administration Campus Building.

 

Explanatory Documents: Panel Summary; Images of Finalists’ Work

Presentation Time: Approximately 7 minutes

 

Presentation of the selected finalists for the Southeast Health Center.

 

Motion: Motion to approve the following finalists for the Southeast Health Center as recommended by the Artist Selection Panel: Bob Armstrong, Suhas Bhujbal, Kirk Crippens, Frederick Hayes, Ramekon O’Arwisters, Ron Moultrie Saunders and Ira Watkins.

 

Explanatory Documents: Site Renderings

Presentation Time: Approximately 5 minutes

 

Presentation of site renderings and discussion of artwork locations.

 

Explanatory Documents: Panel Summary; Images of Finalists’ Work 

Presentation Time: Approximately 5 minutes

 

Presentation of the selected finalists for the 49 South Van Ness Public Art Projects. 

 

Motion: Motion to approve the selected finalists Amanda Hughen/Jennifer Starkweather, David Maisel and Meghann Riepenhoff for the 49 South Van Ness Prefunction Gallery Wall Public Art Project.

 

Motion: Motion to approve the selected finalists Joseph Havel, Sanaz Mazinani, Ruben Ochoa and Mark Reigelman II (DBA Reigelman LLC) for the 49 South Van Ness Forum Sculpture Public Art Project.

 

Explanatory Documents: Panel Summary; Images of Finalists’ Work 

Presentation Time: Approximately 4 minutes

 

Presentation of the selected finalists for the Fire Station #35 Public Art Project. 

 

Motion: Motion to approve the selected finalists Hood Design Studio, Lead Pencil Studio, Adrien Segal and Janet Zweig for the Fire Station #35 Public Art Project.

 

Explanatory Documents: Artwork Rendering

Presentation Time: Approximately 5 minutes

 

Presentation of design development documents for artwork by Jesse Schlesinger for the Judah Streetscape Public Art Project.

 

Motion: Motion to approve the final design development documents for Jesse Schlesinger’s sculptures for the Judah Streetscape Public Art Project.

 

 

Explanatory Document: Final Drawings

Presentation Time: Approximately 5 minutes

 

Presentation of final design for the neon artwork by Joseph Kosuth for the Bill Graham Civic Auditorium.

 

Motion: Motion to approve final design of the neon artwork by Joseph Kosuth for the Bill Graham Civic Auditorium.

 

Motion: Motion to authorize the Director of Cultural Affairs to increase the agreement with Joseph Kosuth from $30,000 to $700,000 to add scope of work including design development, construction documents, fabrication and consultation during installation for an artwork at Bill Graham Civic Auditorium.

 

Explanatory Document: Images of installed artwork

Presentation Time: 2 minutes

 

Presentation of the artwork Islais, by Cliff Garten, at the Port’s Bayview Gateway.

 

Motion: Motion to approve Islais, 2018, a bronze and stainless steel sculpture and a fence fabric design by Cliff Garten, as installed at Bayview Gateway at the corner of Third Street and Arthur Avenue.
 

Explanatory Document: Images of installed artwork

Presentation Time: 2 minutes

 

Presentation of the artwork Points of Departure, by Scott Oliver, installed at the corner of Masonic Avenue and Geary Boulevard for the Masonic Avenue Streetscape Improvement Project.

 

Motion: Motion to approve Points of Departure, 2018, three signposts by Scott Oliver, as installed at the corner of Masonic Avenue and Geary Boulevard for the Masonic Avenue Streetscape Improvement Project.

 

Explanatory Document: Project Outline, Images of Opportunities

Presentation Time: Approximately 10 minutes

 

Presentation of project outline for the new Southeast Community Facility at 1550 Evans Avenue.

 

Motion: Motion to approve the public art project outline for the new Southeast Community Facility at 1550 Evans Avenue.

 

Presentation Time: Approximately 5 minutes

 

Motion: Motion to establish a policy whereby when an artist is selected as a finalist for more than one opportunity within a single capital improvement project, the artist will be asked to select one of those opportunities for which to compete. The artist scored as an alternate will then take the finalist position for the project not selected by the original artist.

 

 

 

AT 6/26/18 2:50 p.m.
 

Notices

 

 

Each item on the agenda may include the following documents: 

 

1) Department or Agency or report; 

 

2) Public correspondence; 

 

3) Other explanatory documents.

 

These items will be available for review at the meeting. Copies are available upon request. Please contact Program Associate Alyssa Torres at alyssa.m.torres@sfgov.org or 415-252-2219 for more information.  

 

 

1. Agenda items will be heard in order. Please note, that on occasion a special circumstance may necessitate that an agenda item be taken out of order. To ensure that an agenda item is not missed, it is advised to arrive at the beginning of the meeting. All agenda changes will be announced by the Chair at the top of the meeting. 

 

2. Public comment will be taken before or during the Committee’s consideration of each agenda item. Each speaker will be allowed to speak for the time allotted by the Chair at the top of the meeting or up to 3 minutes.  During General Public Comment, members of the public may address the Commissioners on matters that are within the Arts Commission’s jurisdiction and are not on the agenda. Any person speaking during a public comment period may supply a brief written summary of their comments, which shall, if no more than 150 words, be included in the official file. 

 

Explanatory documents listed above, as well as documents created or distributed after the posting of this agenda to the Arts Commission will be available for public inspection and copying at the Arts Commission office, 401 Van Ness Avenue, Room 325, San Francisco, CA 94102, during regular business hours. Info: Alyssa Torres at alyssa.m.torres@sfgov.org or 415-252-2219. PLEASE NOTE: The Arts Commission often receives documents created or submitted by other City officials, agencies or departments after the posting of the Arts Commission agenda. For such documents or presentations, members of the public may wish to contact the originating agency if they seek documents not yet provided to the Arts Commission.

 

Public comment in regard to specific items will be taken before or during consideration of the item.

 

The ringing of and use of cell phones, pagers and similar sound-producing electronic devices are prohibited at this meeting. Please be advised that the Chair may order the removal from the meeting of any person(s) responsible for the ringing or use of a cell phone, pager, or other similar sound-producing electronic devices.

 

In order to assist the City’s efforts to accommodate persons with severe allergies, environmental illnesses, multiple chemical sensitivity, or related disabilities, attendees at public meetings are reminded that other attendees may be sensitive to various chemical‐based products. Please help the City accommodate these individuals.

 

To obtain a disability‐related modification or accommodation, including auxiliary aids or services, to participate in the meeting, please contact Alyssa Torres at alyssa.m.torres@sfgov.org or 415-252-2219, at least 48 hours before the meeting, except for Monday meetings, for which the deadline is 4:00 p.m. the previous Friday.

 

If persons who are unable to attend the public meeting or hearing may submit to the City, by the time the proceeding begins, written comments regarding the subject of the meeting or hearing, and these comments will be made a part of the official public record, and the comments will be brought to the attention of the person or persons conducting the public meeting or hearing. Written comments pertaining to this meeting should be submitted to Alyssa Torres at alyssa.m.torres@sfgov.org or 415-252-2219, at least 24 hours before the meeting, except for Monday meetings, for which the deadline is 4:00 p.m. the previous Friday.

 

Individuals and entities that influence or attempt to influence local legislative or administrative action may be required by the San Francisco Lobbyist Ordinance (San Francisco Campaign and Governmental Conduct Code sections 2.100-2.160) to register and report lobbying activity. For more information about the Lobbyist Ordinance, please contact the Ethics Commission at 25 Van Ness Avenue, Suite 220, San Francisco, CA 94102, telephone 415/252-3100, fax 415/252-3112 and http://www.sfethics.org/ethics/2009/12/lobbyist-ordinance-2010.html. 

 

KNOW YOUR RIGHTS UNDER THE SUNSHINE ORDINANCE

 

Government’s duty is to serve the public, reaching its decision in full view of the public. Commissions, boards, councils and other agencies of the City and County exist to conduct the people’s business. This ordinance assures that deliberations are conducted before the people and that City operations are open to the people’s review. For more information on your rights under the Sunshine Ordinance or to report a violation of the ordinance, contact by mail to Administrator, Sunshine Ordinance Task Force, 1 Dr. Carlton B. Goodlett Place, Room 244, San Francisco CA 94102-4689; by phone at 415-554 7724; by fax at 415-554 7854; or by email at sotf@sfgov.org.

 

Citizens interested in obtaining a free copy of the Sunshine Ordinance can request a copy from by printing Chapter 67 of the San Francisco Administrative Code on the Internet, http://www.sfgov.org/sunshine/

 

ACCESSIBLE MEETING POLICY

 

Per the American Disabilities Act and the Language Access Ordinance, Chinese, Spanish, and/or American Sign Language interpreters will be available upon request. Additionally, every effort will be made to provide a sound enhancement system, meeting materials in alternative formats, and/or a reader. Minutes may be translated after they have been adopted by the Commission. For all these requests, please contact Program Associate, Alyssa Torres, at least 48 hours before the meeting at 415-252-2219. Late requests will be honored if possible. The hearing room is wheelchair accessible. 

 

利便参與會議的相關規定

 

根據美國殘疾人士法案和語言服務條例，中文、西班牙語、和/或美國手語翻譯人員在收到要求後將會提供翻譯服務。另外，我們將盡力提供擴音設備。同時也將會提供不同格式的會議資料， 和/或者提供閱讀器。此外，翻譯版本的會議記錄可在委員會通過後提供。上述的要求，請於會議前最少48小時致電415-252-2219向Alyssa Torres 提出。逾期提出的請求，若可能的話，亦會被考慮接納。聽證室設有輪椅通道。

 

POLITICA DE ACCESO A LA REUNIÓN

 

De acuerdo con la Ley sobre Estadounidenses con Discapacidades (American Disabilities Act) y la Ordenanza de Acceso a Idiomas (Language Access Ordinance) intérpretes de chino, español, y lenguaje de señas estarán disponibles de ser requeridos. En adición, se hará todo el esfuerzo posible para proveer un sistema mejoramiento de sonido, materiales de la reunión en formatos alternativos, y/o proveer un leedor. Las minutas podrán ser traducidas luego de ser aprobadas por la Comisión. Para solicitar estos servicios, favor contactar a Program Associate, Alyssa Torres, por lo menos 48 horas antes de la reunión al 415-252-2219. Las solicitudes tardías serán consideradas de ser posible. La sala de audiencia es accesible a silla de ruedas.  

 

PATAKARAN PARA SA PAG-ACCESS NG MGA MITING

 

Ayon sa batas ng American Disabilities Act at ng Language Access Ordinance, maaring mag-request ng  mga tagapagsalin wika sa salitang Tsino, Espanyol at/o sa may kapansanan pandinig  sa American Sign Language. Bukod pa dito, sisikapin gawan ng paraan na makapaglaan ng gamit upang lalong pabutihin ang inyong pakikinig,  maibahagi ang mga kaganapan ng miting sa iba't ibang anyo, at/o isang tagapagbasa. Ang mga kaganapan ng miting ay maaring isalin sa ibang wika matapos ito ay aprobahan ng komisyon. Sa mga ganitong uri ng kahilingan, mangyari po lamang makipag ugnayan kay Program Associate, Alyssa Torres sa 415-252-2219. Magbigay po lamang ng hindi bababa sa 48 oras na abiso bago ng  miting. Kung maari, ang mga late na hiling ay posibleng tanggapin. Ang silid ng pagpupulungan ay accessible sa mga naka wheelchair